Algo(rhy)thms.
This essay examines Blackness and its colonial appropriation through the case of FN Meka, a robot rapper, along with other holographic, digitized representations of Black musical production. What does it mean to technically simulate Blackness? And what can be done to resist this simulation? We attem...
| Publicado en: | Afterimage Vol. 52; no. 1; pp. 84 - 111 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
University of California Press
Mar2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=184342217&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 184342217 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007472 ATF jtl: Afterimage issn: 03007472 maglogo: N pubinfo: dt: Mar2025 vid: 52 iid: 1 pid: 414 pub: University of California Press artinfo: ui: 184342217 10.1525/aft.2025.52.1.84 ppf: 84 ppct: 27 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1MB tig: atl: Algo(rhy)thms. aug: au: Dial, A. Joseph Baker, Margaret su: Racial identity of Black people Machine learning Rap musicians Algorithms Robots sug: subj: Racial identity of Black people Machine learning Rap musicians Algorithms Robots keyword: algorithm Blackness groove machine learning mix race scratch ab: This essay examines Blackness and its colonial appropriation through the case of FN Meka, a robot rapper, along with other holographic, digitized representations of Black musical production. What does it mean to technically simulate Blackness? And what can be done to resist this simulation? We attempt to answer this question through a critical making project in which DJ and audience interact in a way that does not only rely on the simulation of racial signifiers. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Afterimage is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Afterimage holder: University of California Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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