NASİPSE ADAYIZ FİLMİNİN "MITLÄUFER" KARAKTERİ DR. KEMAL ÜZERİNE SOSYOLOJİK VE KÜLTÜREL BİR ANALİZ.
The 2020 film Nasipse Adayız examines the relationship between cinema and politics from the perspective of political ethics, revealing how politicians' character and behavioral patterns remain unchanged despite political, social, and class differences in Turkey. The film follows Dr. Kemal, who aspir...
| Publicado en: | Black Sea / Karadeniz no. 65; pp. 1 - 22 |
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| Formato: | Artículo |
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Black Sea / Karadeniz
Spring2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=184415015&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 184415015 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 13086200 FD1I jtl: Black Sea / Karadeniz issn: 13086200 maglogo: N pubinfo: dt: Spring2025 iid: 65 pid: 80400 pub: Black Sea / Karadeniz artinfo: ui: 184415015 10.17498/kdeniz.1576047 ppf: 1 ppct: 21 formats: tig: atl: NASİPSE ADAYIZ FİLMİNİN "MITLÄUFER" KARAKTERİ DR. KEMAL ÜZERİNE SOSYOLOJİK VE KÜLTÜREL BİR ANALİZ. aug: au: İNCE, Selami affil: Dr. Öğretim Üyesi, Şırnak Üniversitesi Güzel Sanatlar Fakültesi Radyo, Televizyon ve Sinema Bölümü. su: Political ethics Religious communities Political parties Class differences Social norms sug: subj: Political ethics Religious communities Political parties Class differences Social norms Political Organizations keyword: Political Character Political Culture Social Structure Sociology Политическая культура Политический персонаж Социальная структура Социология Mitläufer Politikacı Karakteri Siyaset Kültürü Sosyoloji Toplumsal Yapı Political Character Political Culture Social Structure Sociology Политическая культура Политический персонаж Социальная структура Социология Mitläufer Politikacı Karakteri Siyaset Kültürü Sosyoloji Toplumsal Yapı ab: The 2020 film Nasipse Adayız examines the relationship between cinema and politics from the perspective of political ethics, revealing how politicians' character and behavioral patterns remain unchanged despite political, social, and class differences in Turkey. The film follows Dr. Kemal, who aspires to become the mayor of Istanbul's Beyoğlu district and perceives all means as legitimate in securing his candidacy. Depicted as a typical "Turkish-style" politician, Dr. Kemal is analyzed within the framework of the concept of "Mitläufer," which emerged in Germany during World War II. "Mitläufer" refers to individuals-bureaucrats, soldiers, and civilians-who, while not necessarily fascists themselves, conform to and act in alignment with fascist officials, prioritizing their personal interests over ethical and political principles. Initially portrayed as a social democratic politician with strong principles, Dr. Kemal gradually transforms into a "Mitläufer" as he realizes that political success depends on conforming to dominant cultural, political, and social norms. The film suggests that political parties and ideological principles have been supplanted by personal interestdriven associations, religious communities, regional affiliations, neighborhood groups, kinship networks, and commercial circles. The film illustrates this transformation through a single day and night in which Dr. Kemal struggles to officially declare his candidacy. Through a thematic approach grounded in Representation Theory, the study employs qualitative content analysis to explore how economic, political, cultural, and social dynamics contribute to the emergence of the "Mitläufer" character. pubtype: Academic Journal doctype: Article src: R language: Turkish refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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