Warszawskie druki muzyczne w spuściźnie śpiewaczki Haliny Mickiewiczówny (1923--2001). Cz. 1: Wydawcy, repertuar muzyczny oraz znaczenie księgozbioru. Katalog nut.

The article is the first part of the results of a detailed study of musical varsaviana from the legacy of singer Halina Mickiewiczówna (1923--2001). It includes historical and bibliological considerations, such as establishing the dating of the prints and informations about their makers -- publisher...

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Publicado en:Z Badań nad Książką i Księgozbiorami Historycznymi Vol. 19; no. 1; pp. 69 - 123
Autor principal: Walkusz, Marta
Formato: Artículo
Publicado: University of Warsaw 2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Warszawskie druki muzyczne w spuściźnie śpiewaczki Haliny Mickiewiczówny (1923--2001). Cz. 1: Wydawcy, repertuar muzyczny oraz znaczenie księgozbioru. Katalog nut.
      aug:
        au: Walkusz, Marta
        affil: Biblioteka Akademii Muzycznej im. Stanisława Moniuszki w Gdańsku, Gdańsk, Polska
      su:
        Tempo (Music theory)
        Popular music genres
        Catalogs
        Music publishers
        Interwar Period (1918-1939)
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          Tempo (Music theory)
          Popular music genres
          Catalogs
          Music publishers
          Interwar Period (1918-1939)
      keyword:
        Halina Mickiewiczówna (1923-2001)
        music catalogs
        musical collections
        Warsaw publishers and printers
        katalogi muzyczne
        księgozbiory muzyczne
        warszawscy wydawcy i drukarze
      ab: The article is the first part of the results of a detailed study of musical varsaviana from the legacy of singer Halina Mickiewiczówna (1923--2001). It includes historical and bibliological considerations, such as establishing the dating of the prints and informations about their makers -- publishers and printers, as well as musicological considerations, such as a discussion of the publishing repertoire and its reception in the activities of Warsaw publishers. The aim of the article is first and foremost to prove that the singer's collection represents a representative fragment of Warsaw's sheet music production of the pre-war, interwar and post-war periods, and its content documents the popularity at these times of such a musical genre as the solo song, as well as operatic excerpts favored by the public and the Maestra herself. The article concludes with a catalog of the musicals discussed.
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    language: Polish
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