"I Read the News Today, Oh Boy": Oppositional Consciousness-Raising in British Invasion Rock.

British Invasion rock bands emerged within a particularly unique societal context. World War II had a significant and lasting impact on a generation of British youth growing up in the economic hardship of its immediate wake. There were, in fact, quite a lot more youth to go around with a postwar bab...

Descripción completa

Detalles Bibliográficos
Publicado en:Journal of the Utah Academy of Sciences, Arts & Letters Vol. 101; pp. 369 - 388
Autor principal: Martinez, Theresa A.
Formato: Artículo
Publicado: Utah Academy of Sciences, Arts & Letters 2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=184850605&site=ehost-live
header:
  @attributes:
    shortDbName: ssf
    uiTerm: 184850605
    longDbName: Social Sciences Full Text (H.W. Wilson)
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid: B0JA
      jtl: Journal of the Utah Academy of Sciences, Arts & Letters
      maglogo: N
    pubinfo:
      dt: 2024
      vid: 101
      pid: 59066
      pub: Utah Academy of Sciences, Arts & Letters
    artinfo:
      ui: 184850605
      ppf: 369
      ppct: 19
      formats:
        fmt:
          @attributes:
            type: P
            size: 1.7MB
      tig:
        atl: "I Read the News Today, Oh Boy": Oppositional Consciousness-Raising in British Invasion Rock.
      aug:
        au: Martinez, Theresa A.
        affil: University of Utah
      su:
        Southeast Asia
        Youths' attitudes
        Counterculture
        Rock groups
        World War II
      sug:
        subj:
          Youths' attitudes
          Counterculture
          Southeast Asia
          Musical Groups and Artists
          Rock groups
          World War II
      ab: British Invasion rock bands emerged within a particularly unique societal context. World War II had a significant and lasting impact on a generation of British youth growing up in the economic hardship of its immediate wake. There were, in fact, quite a lot more youth to go around with a postwar baby boom of sorts, mirroring a similar boom in the U.S. These youth were, in addition, directly impacted by the change in British conscription laws that ended the draft, leaving idle a generation of working-class teenagers who would create their own unique identities. At the same time, English youth were influenced by a late 1960s zeitgeist made up of various facets, including a counterculture that questioned authority as well as antiwar demonstrations against a brutal and costly war in Southeast Asia. These elements would have a profound influence on the British Invasion rock bands caught up in such transformation and turmoil. This paper focuses on a lyrical and thematic analysis of the work of three legendary British Invasion bands as they reflected on and responded to the sociohistorical context of their times. The paper specifically unpacks the lyrics of these British Invasion bands through a theoretical lens that evokes oppositional cultures or cultures of resistance within distinct social locations or cultural formations--a distinctive brand of oppositional consciousness-raising within a most turbulent time.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: N
    holdings:
      @attributes:
        islocal: N