ЛІ ЦІНЧЖАО. ГЛАВИ III–V / ПЕРЕКЛАД З КИТАЙСЬКОЇ, ВСТУПНА СТАТТЯ ТА КОМЕНТАРІ Г. В. ДАЩЕНКО.

This publication presents the Ukrainian translation of chapters III–V (episodes 29–57) of the historical novel “Li Qingzhao” (“李清照”) written by the Hong Kong writer Nan Gongbo (南宮 搏, 1924–1983). These episodes were published from May 25 to June 21, 1960 in Taiwan in the Central Daily News (中央日報). Th...

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Publicado en:World of the Orient no. 1; pp. 155 - 182
Autor principal: Dashchenko, Hanna
Formato: Artículo
Publicado: A. Krymskyi Institute of Oriental Studies National Academy of Sciences of Ukraine 2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: ЛІ ЦІНЧЖАО. ГЛАВИ III–V / ПЕРЕКЛАД З КИТАЙСЬКОЇ, ВСТУПНА СТАТТЯ ТА КОМЕНТАРІ Г. В. ДАЩЕНКО.
      aug:
        au: Dashchenko, Hanna
        affil: Associate Professor, Institute of Chinese Literature and Philosophy, Academia Sinica, 128, Section 2, Academia Rd, Taipei, 115, Taiwan.
      su:
        Li Qingzhao
        Artistic creation
        Historical fiction
        Balance of power
        Poetry writing
        Computer performance
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          Li Qingzhao
          Artistic creation
          Historical fiction
          Balance of power
          Poetry writing
          Computer performance
      keyword:
        image
        Nan Gongbo
        novel
        poetry
        Лі Цінчжао
        Нань Ґунбо
        образ
        поезія
        роман
      ab: This publication presents the Ukrainian translation of chapters III–V (episodes 29–57) of the historical novel “Li Qingzhao” (“李清照”) written by the Hong Kong writer Nan Gongbo (南宮 搏, 1924–1983). These episodes were published from May 25 to June 21, 1960 in Taiwan in the Central Daily News (中央日報). This part of the novel describes Li Qingzhao’s life in Bianjing, the Song capital, between 1105 and 1113. The events of the private life of the protagonist’s aristocratic family are depicted against the backdrop of internal political struggle. Thanks to this, the author manages to show the dependence of literary processes on the balance of power in the Song society. The key element of the novel’s composition is shi and ci poetry written by Tang and Song poets, which Nan Gongbo used as a basis for the plot. These episodes include six full Song ci poems (by Zhou Banyan and Li Qingzhao) as well as the certain lines from Tang shi (by Yuan Zhen) and Song ci poems (by Liu Yong and Li Qingzhao). The introductory article presents the artistic and compositional features of this part of the novel. The notes provide explanations of terms and realities as well as brief information about historical characters mentioned in the text.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Ukrainian
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