Archivism and Anarchivism in Shakespeare's Julius Caesar, Produced by the Lope de Vega Theater Company at the Roman Theater of Mérida (1955 and 1964).
I will discuss the first staging of Shakespeare's Julius Caesar produced at the Roman theater of Mérida. In 1955, José Tamayo–head of the Lope de Vega Theater Company–mounted Julius Caesar at the city's Roman theater and amphitheater. José María Pemán wrote a free Spanish version of the play in vers...
| Publicado en: | Neophilologus Vol. 109; no. 1; pp. 67 - 84 |
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| Formato: | Artículo |
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Springer Nature
Mar2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=184992583&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 184992583 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00282677 OK9 jtl: Neophilologus issn: 00282677 maglogo: N pubinfo: dt: Mar2025 vid: 109 iid: 1 pid: 237 pub: Springer Nature artinfo: ui: 184992583 10.1007/s11061-025-09831-5 ppf: 67 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 819KB tig: atl: Archivism and Anarchivism in Shakespeare's Julius Caesar, Produced by the Lope de Vega Theater Company at the Roman Theater of Mérida (1955 and 1964). aug: au: Huertas-Martín, Víctor affil: https://ror.org/043nxc105 Department de Filologia Anglesa i Alemanya, Facultat de Filologia, Traducció i Comunicació, Universitat de València, Avinguda Blasco Ibáñez 32, 46010, Valencia, Spain su: Julius Caesar (Play : Shakespeare) Shakespeare, William, 1564-1616 Roman theaters Archives Francoism sug: subj: Julius Caesar (Play : Shakespeare) Shakespeare, William, 1564-1616 Roman theaters Archives Francoism keyword: Anarchive Archive Audience Events Space Time ab: I will discuss the first staging of Shakespeare's Julius Caesar produced at the Roman theater of Mérida. In 1955, José Tamayo–head of the Lope de Vega Theater Company–mounted Julius Caesar at the city's Roman theater and amphitheater. José María Pemán wrote a free Spanish version of the play in verse. The company's style, known as "Tamayoscope," brought entertainment to the people during Franco's rule. In 1964, Julius Caesar returned to Mérida to celebrate the Festivals of Spain, the 25th Anniversary of Peace, and Shakespeare's Quatercentenary. Though this Julius Caesar presented a positive view of the regime, it gave way to resistance to Francoism. To prove this, I will examine the archives of this Julius Caesar. I contend that these archives problematize the production's propaganda. The 1955 archives endorsed the regime's ideology; those of 1964 were anarchival. Archives are often regarded as officially produced documents which uphold hegemonic narratives and norms; anarchivism integrates archives into subjective and collective experiences. The archives of the Lope de Vega's Julius Caesar reveal an anarchival dimension which positively impacted Mérida's socio-political life. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neophilologus is a copyright of Springer, 2025. All Rights Reserved. item: Neophilologus holder: Springer Nature dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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