Authorial Interventions in the Manuscripts of Fernando Pessoa's The Duke of Parma.

The article provides a preliminary overview of authorial interventions in Fernando Pessoa's unfinished play, *The Duke of Parma*, which is written in Elizabethan English and inspired by Shakespeare. It discusses Pessoa's deep admiration for Shakespeare, evidenced by his extensive personal library an...

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Publicado en:Luso-Brazilian Review Vol. 61; no. 2; pp. 95 - 121
Autor principal: Defenu, Carlotta
Formato: Artículo
Publicado: University of Wisconsin Press 2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Authorial Interventions in the Manuscripts of Fernando Pessoa's The Duke of Parma.
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        au: Defenu, Carlotta
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        Publishing
        Keyboarding
        English poetry
        English dramatists
        Private libraries
        Sonnet
        Marginalia
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          Publishing
          Keyboarding
          English poetry
          English dramatists
          Private libraries
          Sonnet
          Marginalia
      ab: The article provides a preliminary overview of authorial interventions in Fernando Pessoa's unfinished play, *The Duke of Parma*, which is written in Elizabethan English and inspired by Shakespeare. It discusses Pessoa's deep admiration for Shakespeare, evidenced by his extensive personal library and his attempts to translate Shakespeare's works into Portuguese. The analysis highlights the challenges of editing *The Duke of Parma*, given its fragmentary state and the complexity of Pessoa's revisions, which include various types of authorial interventions and corrections. The article emphasizes the importance of genetic criticism and textual analysis in understanding the play's composition process and the broader context of Pessoa's literary legacy.
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