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TAYLOR ROGERS'S NOA: FILMMAKING AS RESEARCH-CREATION IN FEMINIST CONTINENTAL PHILOSOPHY.

This interview, conducted over several months between Lauren Guilmette and Taylor ("Tay") Rogers, in conversation with Amy Marvin, Qrescent Mali Mason, and Kelly Gawel, examines the creation and impact of a film that Rogers produced as part of their doctoral research in Continental philosophy. The f...

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Publicado en:Symposium: Canadian Journal of Continental Philosophy / Revue Canadienne de Philosophie Continentale Vol. 29; no. 1; pp. 49 - 73
Autores principales: Rogers, Taylor, Guilmette, Lauren
Formato: Artículo
Publicado: Canadian Society for Continental Philosophy Spring2025
Materias:
LGBTQ+ studies
Filmmaking
Grief
Conversation
Acceso en línea:Ver este registro en EBSCOhost
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        atl: TAYLOR ROGERS'S NOA: FILMMAKING AS RESEARCH-CREATION IN FEMINIST CONTINENTAL PHILOSOPHY.
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          Rogers, Taylor
          Guilmette, Lauren
        affil:
          Governors State University
          Elon University
      su:
        LGBTQ+ studies
        Filmmaking
        Grief
        Conversation
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        subj:
          LGBTQ+ studies
          Filmmaking
          Grief
          Conversation
      ab:
        This interview, conducted over several months between Lauren Guilmette and Taylor ("Tay") Rogers, in conversation with Amy Marvin, Qrescent Mali Mason, and Kelly Gawel, examines the creation and impact of a film that Rogers produced as part of their doctoral research in Continental philosophy. The film's creation process is, itself, of interest to contemporary Continental philosophy: this process was collaborative, emergent, and based on music that Rogers composed. In the interview, the film's philosophical import is explored, from its connections to canonical figures like Nietzsche and Lugones to emerging feminist voices in philosophy of humour, trans studies, critical race studies, and themes related to embodiment, grief, affect, and relational ontologies. Readers are introduced to research-creation as an arts-based practice of research that holds great, often untapped value for philosophical inquiry.
        Cet entretien, mené pendant plusieurs mois entre Lauren Guilmette et Tay Rogers, en conversation avec Amy Marvin, Qrescent Mali Mason et Kelly Gawel, porte sur la création et l'impact d'un film que Rogers a produit dans le cadre de ses recherches doctorales en philosophie continentale. Le processus par lequel le film a été créé présente un intérêt pour la philosophie continentale contemporaine : ce processus fût collaboratif, émergent et basé sur la musique composée par Rogers. Dans l'entrevue, la portée philosophique du film est sondée, depuis ses liens avec des figures canoniques tels que Nietzsche et Lugones, jusqu'aux voix féministes émergentes dans la philosophie de l'humour, les études trans, les études critiques sur la race et les thèmes liés à l'incarnation, au deuil, à l'affect et aux ontologies relationnelles. Les lecteurs et lectrices sont initié.es à la création de recherche en tant que pratique de recherche fondée sur les arts et qui revêt une grande valeur, souvent inexploitée, pour la recherche philosophique.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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      custom: Copyright of Symposium: Canadian Journal of Continental Philosophy / Revue Canadienne de Philosophie Continentale is the property of Canadian Society for Continental Philosophy and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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          year: 2025
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