Blacksound: Making Race and Popular Music in the United States.
The article "Blacksound: Making Race and Popular Music in the United States" explores the history of popular music in the US, focusing on the exploitation of Black artists in the creation of blackface minstrelsy. Author Matthew Morrison introduces the concept of "Blacksound" to explain how Black mus...
| Publicado en: | Notes Vol. 81; no. 4; pp. 721 - 724 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Music Library Association Inc.
Jun2025
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=185244283&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 185244283 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Jun2025 vid: 81 iid: 4 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 185244283 10.1353/not.2025.a960808 ppf: 721 ppct: 3 formats: fmt: @attributes: type: P size: 135KB tig: atl: Blacksound: Making Race and Popular Music in the United States. aug: au: Durman, Chris affil: University of Tennessee, Knoxville. su: Race Popular music Black artists Intellectual property Copyright Manners & customs Black music Sociology United States sug: subj: United States Race Popular music Black artists Intellectual property Copyright Manners & customs Black music Sociology ab: The article "Blacksound: Making Race and Popular Music in the United States" explores the history of popular music in the US, focusing on the exploitation of Black artists in the creation of blackface minstrelsy. Author Matthew Morrison introduces the concept of "Blacksound" to explain how Black musicians were often unable to benefit financially from their contributions to the music industry. The book delves into the cultural and legal barriers that limited African Americans' ability to profit from their intellectual property, making it a valuable resource for those interested in the intersection of race, music, and copyright law in the US. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
|---|