Reframing the Impact on Documentary From Social Media and Streaming Through Media Theories Informed by Platformization.
The analysis of documentary filmmaking is approached through emerging critical media theories responding to the intersections between Web-based platforms and factual programming. Despite series-based documentary becoming a mainstay on streaming services and inchoate forms of factual content prolifer...
| Publicado en: | International Journal of Communication (19328036) Vol. 18; pp. 4319 - 4338 |
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| Formato: | Artículo |
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University of Southern California, USC Annenberg Press
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=185245485&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 185245485 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 19328036 3836 jtl: International Journal of Communication (19328036) issn: 19328036 maglogo: N pubinfo: dt: 2024 vid: 18 pid: 16336 pub: University of Southern California, USC Annenberg Press artinfo: ui: 185245485 ppf: 4319 ppct: 19 formats: tig: atl: Reframing the Impact on Documentary From Social Media and Streaming Through Media Theories Informed by Platformization. aug: au: MAHER, SEAN affil: Queensland University of Technology, Australia. su: Social media Social movements Documentary films Filmmaking Computer programming sug: subj: Social media Social movements Motion Picture and Video Production Other Computer Related Services Custom Computer Programming Services Computer systems design and related services (except video game design and development) Documentary films Filmmaking Computer programming keyword: documentary platformization social media documentary platformization social media ab: The analysis of documentary filmmaking is approached through emerging critical media theories responding to the intersections between Web-based platforms and factual programming. Despite series-based documentary becoming a mainstay on streaming services and inchoate forms of factual content proliferating across social media, scarce attention is paid to the context and role of Web-based platforms and their impact on documentary as a social movement media. Reframing critical media theory to account for the upheavals affecting documentary means taking fuller account of “platformization” and reexamining film history epistemologies of documentary premised on professional producers and spectatorship. As the era of globally networked communication continues to reconfigure iterations of certain social, political, and economic apparatuses, the analysis examines emerging approaches and speculative media theories to documentary as a key legacy media object. As the forerunner to a form of media that targeted social change, documentary warrants efforts to expand epistemological perspectives on its development and continued negotiation of social media in the age of Web-based communications. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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