Roman Witold Ingarden's discussions on artistic style: A contribution.
The present article attempts to reconstruct Polish philosopher and aesthetician Roman Witold Ingarden's views concerning his understanding of the concept of artistic style. Starting from the hypotheses provided by the content of the outline of his ultimately unwritten work, Poetics, I have chosen se...
| Published in: | Studies in East European Thought Vol. 77; no. 3; pp. 447 - 463 |
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| Format: | Article |
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Springer Nature
Jun2025
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=185303231&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 185303231 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09259392 GGL jtl: Studies in East European Thought issn: 09259392 maglogo: N pubinfo: dt: Jun2025 vid: 77 iid: 3 pid: 237 pub: Springer Nature artinfo: ui: 185303231 10.1007/s11212-024-09650-5 ppf: 447 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 946KB tig: atl: Roman Witold Ingarden's discussions on artistic style: A contribution. aug: au: Garlej, Beata affil: https://ror.org/05sdyjv16 Faculty of Humanities, Cardinal Stefan Wyszynski University in Warsaw, ul. Dewajtis 5, 01-815, Warsaw, Poland su: Artistic style Part songs Philosophers Comparative studies Nineteen sixties sug: subj: Artistic style Part songs Philosophers Comparative studies Nineteen sixties keyword: Aesthetic concretization Aphenomenality of the phenomenon Aspects Decorativeness Gustave Flaubert Insatiability Madame Bovary Polyphony Roman Witold Ingarden Stanisław Ignacy Witkiewicz ab: The present article attempts to reconstruct Polish philosopher and aesthetician Roman Witold Ingarden's views concerning his understanding of the concept of artistic style. Starting from the hypotheses provided by the content of the outline of his ultimately unwritten work, Poetics, I have chosen selected threads of the discussions held by Ingarden in Lviv before the war, supplemented by the content of the phenomenologist's lectures from the 1960s, as essential substantive background. Analyzing the material indicated, I demonstrate that it is appropriate for Ingarden's understanding of artistic style to correlate this concept with the category of aesthetic concretization. Consequently, I draw a conclusion as to the primary role of some aspects of a literary work – appearances, which allow us to inquire into the properties of artistic style practically as a result of their function of decorativeness and polyphony. A condensed comparative analysis of the two functions, as related to excerpts from Gustave Flaubert's Madame Bovary and Stanisław Ignacy Witkiewicz's Insatiability, concludes the account of Ingarden's conception of artistic style, which turns out to be a unique aphenomenal phenomenon. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Studies in East European Thought is a copyright of Springer, 2025. All Rights Reserved. item: Studies in East European Thought holder: Springer Nature dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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