| Sumario: | The Marron Inconnu monument in Haiti is celebrated internationally as a symbol of the country and a powerful icon of Black liberation. But its lesser-known origins tell a more complex story. It was installed in 1968 as cultural propaganda supporting the ethnonationalist Duvalier dictatorship. How and why did such an illiberal regime produce a beloved monument to freedom? To answer this question, this article situates the artwork within the political and cultural world of its patron, François Duvalier, and its sculptor, Albert Mangonès. It argues that the monument distorted the relationship between popular culture and the state—a misrepresentation that was essential to the Duvalier regime's legitimacy. The monument's shifting meanings from its origins to the present illuminate the interplay between freedom and authoritarianism across Haitian culture and national identity.
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