Of Sentension.

Sentences create and release tension. The novelistic tradition and its theorists, as well as those attempting to define the distinctions between poetry and prose, struggle to reduce this tension, which may be traced in punctuation, grammar, and prosody as much as in the more explicit reflections on...

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Publicado en:CounterText Vol. 11; no. 1; pp. 140 - 161
Autor principal: Robson, Mark
Formato: Artículo
Publicado: Edinburgh University Press Apr2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Robson, Mark
        affil: University of Dundee
      su:
        Poetry (Literary form)
        Prose literature
        Sentences (Grammar)
        Artistic influence
        Prosodic analysis (Linguistics)
        Grammar
        Punctuation
        Intonation (Phonetics)
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          Poetry (Literary form)
          Prose literature
          Sentences (Grammar)
          Artistic influence
          Prosodic analysis (Linguistics)
          Grammar
          Punctuation
          Intonation (Phonetics)
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        novel
        prose poem
        punctuation
        reading
        tension
      ab: Sentences create and release tension. The novelistic tradition and its theorists, as well as those attempting to define the distinctions between poetry and prose, struggle to reduce this tension, which may be traced in punctuation, grammar, and prosody as much as in the more explicit reflections on the nature of the sentence and the line. The prose poem marks the interpenetration of line and sentence, their mutuality, even as it remains possible and necessary to distinguish them. In a selection of texts which include sentences from Jacques Derrida, Gertrude Stein, W. G. Sebald, Charles Baudelaire, and Lisa Robertson, this notion of sentension is traced as an effect of reading, with ramifications for attempts to think the relation of writing and thought.
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