Resisting Imposed Identities in Postwar Fictions of the Self: Carmen Laforet's Nada (1945) and Rosa Chacel's Memorias de Leticia Valle (1945).

The early years of the dictatorship saw a forceful attempt to restore the repressive nineteenth- and early-twentieth-century role of women in line with the social codes of Francoist Spain. The redesigning of the primary curriculum for girls, the revising of school textbooks, and the pervasive circul...

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Publicado en:Hispanic Research Journal Vol. 24; no. 6; pp. 612 - 629
Autor principal: Lawlor, Hannie
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Resisting Imposed Identities in Postwar Fictions of the Self: Carmen Laforet's Nada (1945) and Rosa Chacel's Memorias de Leticia Valle (1945).
      aug:
        au: Lawlor, Hannie
        affil: University of Oxford, Oxford, UK
      su:
        Women's writings
        Chacel, Rosa
        Nada (Book)
        Memorias de Leticia Valle (Book)
        Laforet, Carmen
      sug:
        subj:
          Women's writings
          Chacel, Rosa
          Nada (Book)
          Memorias de Leticia Valle (Book)
          Laforet, Carmen
      keyword:
        autoridad narrativa
        escritura de mujeres
        España del siglo XX
        ficciones del yo
        fictions of the self
        narrative authority
        twentieth-century Spain
        women's writing
      ab:
        The early years of the dictatorship saw a forceful attempt to restore the repressive nineteenth- and early-twentieth-century role of women in line with the social codes of Francoist Spain. The redesigning of the primary curriculum for girls, the revising of school textbooks, and the pervasive circulation of women's magazines became instruments in the reconstruction of a rigid and reductive model of female selfhood. At the same time as literature was co-opted by the regime in the re-imposition of this identity, however, it was mobilized by certain women writers as a space within which to resist it. This article explores first-person fictions of the self as a subversive strategy in the face of enforced identities, through a study of two texts published in 1945, one in Spain and the other in exile: Carmen Laforet's Nada and Rosa Chacel's Memorias de Leticia Valle. While in many ways very different, these texts share a powerful insistence on the complex and elusive identities of their female narrators, and on the agency these young women hold in articulating them. Foregrounding the power of the female voice and of self-characterization, they become sites of resistance to assumptions about women's identity, fixed power dynamics, and singular histories.
        Los primeros años de la dictadura franquista estuvieron señalados por los intentos del Régimen por imponer un modelo de feminidad extremadamente restrictivo, propio de la centuria previa. El rediseño del currículo de educación primaria para niñas, la revisión de los libros de texto y la circulación de revistas de mujeres se convirtieron en herramientas para reconstruir un modelo rígido y restrictivo de identidad femenina. Sin embargo, al mismo tiempo que el Régimen se apropiaba de la literatura para reimponer tal identidad, ciertas escritoras encontraban en sus novelas un espacio desde el cual resistirla. Este artículo considera las ficciones del yo como una estrategia subversiva frente a las identidades impuestas, a través del estudio de dos textos publicados en 1945, uno en España y el otro en el exilio: Nada, de Carmen Laforet, y Memorias de Leticia Valle, de Rosa Chacel. Aunque ambas obras difieren en muchos aspectos, comparten una insistencia poderosa en las identidades complejas y evasivas de sus narradoras y en la voluntad que tienen estas jóvenes para moldearlas. Al enfatizar el poder de la auto-caracterización, se hacen espacios de resistencia a las suposiciones sobre la identidad femenina, las dinámicas de poder fijas y las historias únicas.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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