Crowd Choreographies: Spike Lee's BlacKkKlansman (2018) and the Politics of (Post)Cinematic Assembly.

The article examines the role of crowds in early cinema and contemporary political discourse, particularly in relation to the aesthetic politics of films like Spike Lee's *BlacKkKlansman*. It discusses how historical crowd theories, influenced by figures like Gustave Le Bon and Sigmund Freud, shaped...

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Publicado en:	Discourse: Journal for Theoretical Studies in Media & Culture Vol. 46; no. 2; pp. 208 - 228
Autor principal:	Breger, Claudia
Formato:	Artículo
Publicado:	Wayne State University Press Spring2024
Materias:	Black power movement Occupy Wall Street protest movement Shame Violence against women Unite the Right rally, Charlottesville, Va., 2017 Blue Lives Matter movement United States Capitol Insurrection, 2021 Choreography Chants
Acceso en línea:	Ver este registro en EBSCOhost