The art of articulation: The electroacoustic music of Horacio Vaggione.
The composition of music has evolved into an interactive process of directly sculpting sound morphologies on multiple time scales. A prime example is the electroacoustic music of Horacio Vaggione. This music's complexity and subtlety challenges mere textual description, posing formidable problems of...
| Publicado en: | Contemporary Music Review Vol. 24; no. 4/5; pp. 295 - 310 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=18590267&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 18590267 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 4/5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 18590267 10.1080/07494460500172121 ppf: 295 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 409KB tig: atl: The art of articulation: The electroacoustic music of Horacio Vaggione. aug: au: Roads, Curtis su: Vaggione, Horacio Computer music Music Composers Algorithms sug: subj: Vaggione, Horacio Computer music Music Composers Algorithms keyword: Composition Electroacoustic Music Micromontage Multiscale Composition ab: The composition of music has evolved into an interactive process of directly sculpting sound morphologies on multiple time scales. A prime example is the electroacoustic music of Horacio Vaggione. This music's complexity and subtlety challenges mere textual description, posing formidable problems of discourse. This article traces the aesthetic and technical path followed by the composer during his career, and in so doing begins the task of developing a new analytical vocabulary. Fortunately, Professor Vaggione has written a considerable amount about his aesthetic approach. For this article, I have relied on Vaggione's texts as well as his extensive comments on a draft of this article. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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