Due di Uno : A composition dedicated to Horacio Vaggione.
At risk of appearing disrespectful in the context of a Festschrift, this article focuses on Due di Uno , a composition of the author's own, dedicated to Horacio Vaggione. This composition reflects an attempt at designing and staging a small technological infrastructure whose audible result is the mu...
| Publicado en: | Contemporary Music Review Vol. 24; no. 4/5; pp. 383 - 398 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=18590269&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 18590269 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 4/5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 18590269 10.1080/07494460500173822 ppf: 383 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 582KB tig: atl: Due di Uno : A composition dedicated to Horacio Vaggione. aug: au: Di Scipio, Agostino su: Due di Uno (Music) Vaggione, Horacio Composers Music Musical instruments sug: subj: Due di Uno (Music) Vaggione, Horacio Composers Music Musical instruments keyword: Automated Controls Baudelaire Poetry Live Electronics Musical Instruments Network of Composed Real-time Interactions Technology of Composition ab: At risk of appearing disrespectful in the context of a Festschrift, this article focuses on Due di Uno , a composition of the author's own, dedicated to Horacio Vaggione. This composition reflects an attempt at designing and staging a small technological infrastructure whose audible result is the music. It is an effort in algorithmic composition and, at the same time, an attempt at implementing a network of dynamical interactions between two instruments (piccolo recorder and violin) and live electronics (an adaptive array of digital signal processing transformations). It is, too, a work in sound—that is, a music where timbre, textural polyphony and density, and a variety of noise artefacts are perceptual dimensions more important than others. In addressing such issues, the author keeps Vaggione's own work as a silent, but tangible infratextual reference. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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