MATTEO NORIS'S ATTILA (1672) AND THE REPRESENTATION OF LATE ANTIQUITY ON THE SEVENTEENTH CENTURY STAGE.
As one of the first operas written on a Late Antique subject for a Venetian theatre, Matteo Noris's Attila (1672) provides a unique case study on the dynamics of the reception of post-Classical history. In this paper, I examine what materials the librettist had access to, how particularly one work o...
| Publicado en: | Akroterion Vol. 69; pp. 65 - 82 |
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| Formato: | Artículo |
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Akroterion
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |