Music Book Trade in the Age of Bach: Michel-Charles Le Cène's Agents in Germany.

The article focuses on the distribution and influence of Italian and French music in German-speaking countries during the early 18th century, particularly through the publishing house of Estienne Roger and his successors. It highlights the role of Johann Konrad Peetz, a bookseller in Regensburg, who...

Descripción completa

Detalles Bibliográficos
Publicado en:Musical Quarterly Vol. 107; no. 3/4; pp. 243 - 265
Autor principal: Górny, Tomasz
Formato: Artículo
Publicado: Oxford University Press / USA Fall/Winter2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186053930&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 186053930
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00274631
        MUQ
      jtl: Musical Quarterly
      issn: 00274631
      maglogo: N
    pubinfo:
      dt: Fall/Winter2024
      vid: 107
      iid: 3/4
      pid: 622
      pub: Oxford University Press / USA
    artinfo:
      ui:
        186053930
        10.1093/musqtl/gdaf005
      ppf: 243
      ppct: 22
      formats:
      tig:
        atl: Music Book Trade in the Age of Bach: Michel-Charles Le Cène's Agents in Germany.
      aug:
        au: Górny, Tomasz
      su:
        German music
        Music publishers
        Music industry
        Musicology
        Eighteenth century
        Composers
        Publishing
        Booksellers & bookselling
        Germany
        Regensburg (Germany)
      sug:
        subj:
          Germany
          Regensburg (Germany)
          German music
          Music publishers
          Music industry
          Musicology
          Eighteenth century
          Composers
          Publishing
          Booksellers & bookselling
      ab: The article focuses on the distribution and influence of Italian and French music in German-speaking countries during the early 18th century, particularly through the publishing house of Estienne Roger and his successors. It highlights the role of Johann Konrad Peetz, a bookseller in Regensburg, who offered a range of musical prints, including those published by Roger and Michel-Charles Le Cène. The text discusses the significance of publisher numbers in cataloging and ordering music, the geographical reach of these publications, and the impact on the musical culture of the time, including connections to prominent composers like Johann Sebastian Bach. The findings suggest that access to these prints facilitated the assimilation of diverse musical styles in Germany.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2024
    holdings:
      @attributes:
        islocal: N