Revolutionizing the stage: exploring the multidimensional landscape of digital theater.
This study explores the transformative effects of digital technologies on the traditional stage and examines the multifaceted nature of digital theater (DT). It clarifies the concept of DT by identifying its essential attributes and establishing an analytical framework for its classification, based...
| Publicado en: | Digital Scholarship in the Humanities Vol. 40; no. 2; pp. 575 - 587 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Oxford University Press / USA
Jun2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186085059&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186085059 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 2055768X JEO9 jtl: Digital Scholarship in the Humanities issn: 2055768X maglogo: N pubinfo: dt: Jun2025 vid: 40 iid: 2 pid: 622 pub: Oxford University Press / USA artinfo: ui: 186085059 10.1093/llc/fqaf015 ppf: 575 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.1MB tig: atl: Revolutionizing the stage: exploring the multidimensional landscape of digital theater. aug: au: Ma, Ming Yuping, Kang affil: Faculty of Humanities and Social Sciences, City University of Macau, Macau, China School of Humanities, Beijing Dance Academy, Beiing, China su: Technology convergence Audience participation Artistic creation Copyright Manufacturing processes Digital technology sug: subj: Technology convergence Audience participation Artistic creation Copyright Manufacturing processes Digital technology keyword: digital theater (DT) intermediality liveness production logic technology puppet ab: This study explores the transformative effects of digital technologies on the traditional stage and examines the multifaceted nature of digital theater (DT). It clarifies the concept of DT by identifying its essential attributes and establishing an analytical framework for its classification, based on the interplay of three critical dimensions: artistic creation, digital technology, and audience experience. This article uses this analytical framework to explore the diversity of DT, including live theater, cyber theater, and mixed theater, analyzing how these forms enhance audience immersion and participation through technological means. Additionally, this article systematically examines the production logic of DT by analyzing each stage of the production process. The study also discusses the future challenges of DT, including managing technical costs, promoting content innovation, securing audience engagement, enforcing copyright protection, and improving professional talent training. It highlights the transformative potential of DT in redefining the theatrical experience and performance ecology, emphasizing the convergence of art and technology in shaping the future of theater. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: © 2019 EADH: The European Association for Digital Humanities. item: Digital Scholarship in the Humanities holder: Oxford University Press / USA dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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