UP CLOSE: XINDIAN BOYS.
The article focuses on the immersive art installation "Don’t Worry, Baby" (2025) created by the Taiwanese art group Xindian Boys in collaboration with the new media group XTRUX. This site-specific projection at the New Taipei City Art Museum presents a digital doppelgänger of the Xindian River basin...
| Publicado en: | ArtAsiaPacific no. 144; pp. 64 - 66 |
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| Autor principal: | |
| Formato: | Art Exhibition Review |
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ArtAsiaPacific Holdings Ltd.
Jul/Aug2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186118614&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186118614 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10393625 AAP jtl: ArtAsiaPacific issn: 10393625 maglogo: N pubinfo: dt: Jul/Aug2025 iid: 144 pid: 56291 pub: ArtAsiaPacific Holdings Ltd. artinfo: ui: 186118614 ppf: 64 ppct: 2 formats: fmt: – @attributes: type: T – @attributes: type: P size: 237KB tig: atl: UP CLOSE: XINDIAN BOYS. aug: au: CHAN, MICHELE su: Media art Motion capture (Cinematography) Real-time computing Watersheds Virtual reality sug: subj: Media art Motion capture (Cinematography) Real-time computing Watersheds Virtual reality ab: The article focuses on the immersive art installation "Don’t Worry, Baby" (2025) created by the Taiwanese art group Xindian Boys in collaboration with the new media group XTRUX. This site-specific projection at the New Taipei City Art Museum presents a digital doppelgänger of the Xindian River basin, utilizing algorithms and game engine technology to create a dynamic and interactive landscape that oscillates between idyllic and dystopian imagery. The installation invites viewers to reflect on the nature of reality and truth through its manipulation of actual environments and people, while also showcasing earlier works by Xindian Boys that explore the ecological and sociopolitical context of the river. A poignant element of the exhibition is the inclusion of archival footage featuring the late member Chen Shun-Chu, who continues to be represented in the virtual realm of the installation. pubtype: Periodical doctype: Art Exhibition Review src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of ArtAsiaPacific is the property of ArtAsiaPacific Holdings Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: ArtAsiaPacific holder: ArtAsiaPacific Holdings Ltd. dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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