Cannibalising the Argentine Canon in Washington Cucurto's La Revolución de mayo vivida por los negros (2008).
Most readings of Washington Cucurto's 1810: la revolución de mayo vivida por los negros (2008) centre around its protagonist, José de San Martín, and the alternative May Revolution led by Africans and Afro-Argentines the novel proposes. This essay focuses instead on the novel's highly intricate tran...
| Published in: | Hispanófila Vol. 203; pp. 111 - 129 |
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| Format: | Article |
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University of North Carolina Press
Spring2025
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186415805&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186415805 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182206 2JM jtl: Hispanófila issn: 00182206 maglogo: N pubinfo: dt: Spring2025 vid: 203 pid: 2027 pub: University of North Carolina Press artinfo: ui: 186415805 10.1353/hsf.2025.a963615 ppf: 111 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 394KB tig: atl: Cannibalising the Argentine Canon in Washington Cucurto's La Revolución de mayo vivida por los negros (2008). aug: au: Sarasola, Jorge affil: University of Warwick sug: keyword: Afro-Argentina Black history Historical novel Washington Cucurto ab: Most readings of Washington Cucurto's 1810: la revolución de mayo vivida por los negros (2008) centre around its protagonist, José de San Martín, and the alternative May Revolution led by Africans and Afro-Argentines the novel proposes. This essay focuses instead on the novel's highly intricate transtextual tapestry, analysing its use of intertextualities, paratextualities, and rewritings. It seeks to demonstrate how Cucurto's rewriting of short stories by Jorge Luis Borges and Julio Cortázar can be fruitfully studied through the lens of literary anthropophagy, where the two canonical predecessors are not simply rejected, but incorporated, distorted, and updated in this novel. In turn, this produces a grotesque anti-historical novel which parodies the lofty ambitions of post-dictatorship historical novels in Argentina, tracing the history of racial othering in this country from slavery in colonial times to present-day Buenos Aires. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanófila is the property of University of North Carolina Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanófila holder: University of North Carolina Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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