EL GRITO DE MUNCH EN VERSOS LATINOAMERICANOS.
The article focuses on the interartistic relationship between Edvard Munch's painting "The Scream" and several Latin American poems that reinterpret it. Through ekphrasis, poets Miguel Ángel Zapata, Juan Manuel Roca, Ígor Barreto, José Watanabe, and Raúl Bueno explore the gap between the visual and...
| Publicado en: | Revista Chilena de Literatura no. 111; pp. 393 - 412 |
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| Formato: | Artículo |
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Universidad de Chile
may2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186634082&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186634082 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00487651 2BN jtl: Revista Chilena de Literatura issn: 00487651 maglogo: N pubinfo: dt: may2025 iid: 111 pid: 30789 pub: Universidad de Chile artinfo: ui: 186634082 ppf: 393 ppct: 19 formats: fmt: @attributes: type: P size: 3.2MB tig: atl: EL GRITO DE MUNCH EN VERSOS LATINOAMERICANOS. aug: au: Hernández, Biviana affil: Universidad de Concepción Concepción, Chile. su: Munch, Edvard, 1863-1944 Painting Ekphrasis Poets Poetry (Literary form) Violence sug: subj: Munch, Edvard, 1863-1944 Painting Ekphrasis Poets Poetry (Literary form) Violence ab: The article focuses on the interartistic relationship between Edvard Munch's painting "The Scream" and several Latin American poems that reinterpret it. Through ekphrasis, poets Miguel Ángel Zapata, Juan Manuel Roca, Ígor Barreto, José Watanabe, and Raúl Bueno explore the gap between the visual and the verbal, generating readings that transcend mere description of the artwork. Each poem offers a unique perspective on the human experience, violence, and the condition of the contemporary artist, revealing how poetry can engage in dialogue with painting to address social and emotional themes. The interaction between these artistic languages enriches the understanding of Munch's work and its relevance in current cultural contexts. El artículo se centra en la relación interartística entre la pintura "El grito" de Edvard Munch y varios poemas latinoamericanos que la reinterpretan. A través de la écfrasis, los poetas Miguel Ángel Zapata, Juan Manuel Roca, Ígor Barreto, José Watanabe y Raúl Bueno exploran el desfase entre lo visual y lo verbal, generando lecturas que trascienden la mera descripción de la obra. Cada poema ofrece una perspectiva única sobre la experiencia humana, la violencia y la condición del artista contemporáneo, revelando cómo la poesía puede dialogar con la pintura para abordar temas sociales y emocionales. La interacción entre estos lenguajes artísticos enriquece la comprensión de la obra de Munch y su relevancia en contextos culturales actuales. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Chilena de Literatura holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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