Escaping the DVD dispositif: John Abraham and the historical exhibition.
Delving into the many aesthetic, political and production conditions that surround and occupy John Abraham's radical epistolary film Amma Ariyan (1986), this article places the disappearances of the activists and figures, in and outside the screen, in the context of the film's conspicuous absence fr...
| Publicado en: | South Asian History & Culture Vol. 16; no. 3; pp. 298 - 315 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jul2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=186641481&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 186641481 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 19472498 B7KP jtl: South Asian History & Culture issn: 19472498 maglogo: N pubinfo: dt: Jul2025 vid: 16 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 186641481 10.1080/19472498.2025.2516878 ppf: 298 ppct: 17 formats: fmt: – @attributes: type: T db: hlh ui: 186641481 – @attributes: type: P db: hlh ui: 186641481 tig: atl: Escaping the DVD dispositif: John Abraham and the historical exhibition. aug: au: Patra, Parichay affil: School of Liberal Arts, Indian Institute of Technology Jodhpur, Jodhpur, India su: Amma Ariyan (Film) Abraham, John Motion picture theaters sug: subj: Motion Picture Theaters (except Drive-Ins) Motion picture and video exhibition Commercial and Institutional Building Construction Motion picture theaters Amma Ariyan (Film) Abraham, John keyword: Amma Ariyan Dispositif exhibition film collective John Abraham new wave Amma Ariyan Dispositif exhibition film collective John Abraham new wave ab: Delving into the many aesthetic, political and production conditions that surround and occupy John Abraham's radical epistolary film Amma Ariyan (1986), this article places the disappearances of the activists and figures, in and outside the screen, in the context of the film's conspicuous absence from public parlance. As it argues, relying essentially on the idea of the collective and cinema-event, this film mostly escapes the individual mode of exhibition/cinematic experience and the latter's dispositif. The cine-political implications of such choices and events are explored further through an array of literary, philosophical and cinematic references. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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