The Politics of Displays: Science and Technology Exhibitions in Cold War Japan.

This article investigates how science and technology, especially nuclear energy and space travel, materialised as concrete things and were embedded into everyday life through exhibitions and three-dimensional experiences in Japan during the cold war. In the historical and geopolitical context of Jap...

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Publicado en:Asian Studies Review Vol. 49; no. 3; pp. 459 - 479
Autor principal: Kim, Yusung
Formato: Artículo
Publicado: Taylor & Francis Ltd Sep2025
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Acceso en línea:Ver este registro en EBSCOhost
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      dt: Sep2025
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        10.1080/10357823.2024.2414932
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        atl: The Politics of Displays: Science and Technology Exhibitions in Cold War Japan.
      aug:
        au: Kim, Yusung
        affil: Harvard University
      su:
        Science exhibitions
        Trade shows
        Nuclear energy
        Space tourism
        Cold War, 1945-1991
        United States Information Agency
        Japan
      sug:
        subj:
          Japan
          Science exhibitions
          Trade shows
          Nuclear energy
          Space tourism
          Cold War, 1945-1991
          United States Information Agency
      keyword:
        Atoms for Peace
        cold war
        Miniatures
        models
        Space Science Exhibition
        three-dimensionality
        US Information Agency (USIA)
        US Information Service (USIS)
        USIS-Japan
      ab: This article investigates how science and technology, especially nuclear energy and space travel, materialised as concrete things and were embedded into everyday life through exhibitions and three-dimensional experiences in Japan during the cold war. In the historical and geopolitical context of Japan in the late 1950s and 1960s, the United States (US)–Japan alliance required that American propaganda agencies such as the US Information Service (USIS) in Japan operate effectively. To this end, science and technology were embodied as specific materials by being reproduced and circulated as tactile objects through exhibitions and displayable models, which formed a desirable environment that involved not only aesthetically attractive designs but also the implicative meanings of the geopolitical dynamics of the time. In particular, the article scrutinises how several exhibitions displayed new materiality in the form of miniatures and models under a newly proposed and constructed techno-environment. It does so by analysing records of exhibitions, expositions, and three-dimensional models that were displayed in Japan in the late 1950s and 1960s.
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    language: English
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