Mahler's Nietzsche: Politics and Philosophy in the Wunderhorn Symphonies.
The article focuses on the influence of Friedrich Nietzsche's philosophy on Gustav Mahler's musical compositions, particularly in the context of Mahler's earlier symphonies. Leah Batstone's study explores how Mahler's understanding of Nietzsche shaped his distinctive musical identity, highlighting t...
| Publicado en: | Notes Vol. 82; no. 1; pp. 62 - 66 |
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| Formato: | Artículo |
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Music Library Association Inc.
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186857082&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186857082 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Sep2025 vid: 82 iid: 1 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 186857082 ppf: 62 ppct: 4 formats: fmt: @attributes: type: P size: 223KB tig: atl: Mahler's Nietzsche: Politics and Philosophy in the Wunderhorn Symphonies. aug: au: MUGMON, MATTHEW affil: University of Arizona su: Mahler, Gustav, 1860-1911 Nietzsche, Friedrich Wilhelm, 1844-1900 Postmodernism (Philosophy) Sociocultural factors Composers Modern philosophy Symphony sug: subj: Mahler, Gustav, 1860-1911 Nietzsche, Friedrich Wilhelm, 1844-1900 Postmodernism (Philosophy) Sociocultural factors Composers Modern philosophy Symphony ab: The article focuses on the influence of Friedrich Nietzsche's philosophy on Gustav Mahler's musical compositions, particularly in the context of Mahler's earlier symphonies. Leah Batstone's study explores how Mahler's understanding of Nietzsche shaped his distinctive musical identity, highlighting the ambivalence in Mahler's relationship with Nietzsche's ideas. The analysis reveals that Mahler's works reflect Nietzschean themes such as tragicomic juxtaposition and plurality, which were significant in the cultural milieu of Mahler's time, particularly within the Pernerstorfer Circle. Batstone argues that Nietzsche's influence persisted in Mahler's later compositions, suggesting a lasting integration of these philosophical concepts into Mahler's musical style. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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