A Hound Dog Tale: Big Mama, Elvis, and the Song That Changed Everything.
The main focus of the article is Ben Wynne's book, *A Hound Dog Tale: Big Mama, Elvis, and the Song That Changed Everything*, which explores the cultural and musical significance of the song "Hound Dog." The narrative centers on the song's origins, written by Jerry Leiber and Mike Stoller, and its i...
| Publicado en: | Alabama Review Vol. 78; no. 3; pp. 256 - 260 |
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| Formato: | Artículo |
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University of Alabama Press
Jul2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186869004&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186869004 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00024341 7IU jtl: Alabama Review issn: 00024341 maglogo: N pubinfo: dt: Jul2025 vid: 78 iid: 3 pid: 1083 pub: University of Alabama Press artinfo: ui: 186869004 10.1353/ala.2025.a966885 ppf: 256 ppct: 4 formats: fmt: @attributes: type: P size: 287KB tig: atl: A Hound Dog Tale: Big Mama, Elvis, and the Song That Changed Everything. aug: au: Werner, Craig affil: University of Wisconsin su: African American music African American artists African American women Black LGBTQ+ people Civil rights movements sug: subj: African American music African American artists African American women Black LGBTQ+ people Civil rights movements ab: The main focus of the article is Ben Wynne's book, *A Hound Dog Tale: Big Mama, Elvis, and the Song That Changed Everything*, which explores the cultural and musical significance of the song "Hound Dog." The narrative centers on the song's origins, written by Jerry Leiber and Mike Stoller, and its impact through the performances of African American singer Willie Mae "Big Mama" Thornton and Elvis Presley. Wynne highlights Thornton's role in the history of African American music and discusses the racial dynamics and controversies surrounding the song's cover versions. The book synthesizes existing scholarship while providing new insights, particularly into the discography of the song and the broader implications of cultural appropriation in music. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Alabama Review is the property of University of Alabama Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Alabama Review holder: University of Alabama Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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