"Some Strange Temptation to Evil": Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction.
Walter Thornbury's "The Old Chapel-Master" (1873) and Edward Prime-Stevenson's "When Art Was Young: A Romance in Two Parts"/"Aquæ multæ non—" (1883/1913) both grapple with acts of musical crime in ways that invite potential queer readings and unexpected reflections on the strange afterlives of the m...
| Publicado en: | Journal of Musicological Research Vol. 44; no. 1; pp. 44 - 72 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186874597&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186874597 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01411896 7WF jtl: Journal of Musicological Research issn: 01411896 maglogo: N pubinfo: dt: 2025 vid: 44 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 186874597 10.1080/01411896.2025.2485882 ppf: 44 ppct: 28 formats: fmt: – @attributes: type: T – @attributes: type: P size: 430KB tig: atl: "Some Strange Temptation to Evil": Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction. aug: au: Franseen, Kristin M. affil: Western University su: Queer theory Salieri, Antonio, 1750-1825 Fiction Mozart, Wolfgang Amadeus, 1756-1791 Composers Betrayal Plagiarism Art forgeries Stereotypes sug: subj: Queer theory Salieri, Antonio, 1750-1825 Fiction Mozart, Wolfgang Amadeus, 1756-1791 Composers Betrayal Plagiarism Art forgeries Stereotypes ab: Walter Thornbury's "The Old Chapel-Master" (1873) and Edward Prime-Stevenson's "When Art Was Young: A Romance in Two Parts"/"Aquæ multæ non—" (1883/1913) both grapple with acts of musical crime in ways that invite potential queer readings and unexpected reflections on the strange afterlives of the myths surrounding W.A. Mozart and Antonio Salieri. This article explores the dimensions that lurk underneath the surfaces of both works, drawing on literary theories of nineteenth-century artistic forgery and plagiarism as forms of masculine betrayal, representations of Salieri as a villain in 19th-century musical fictions, and musicological scholarship on disputed or dubious authorship. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Musicological Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Musicological Research holder: Taylor & Francis Ltd dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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