Consecrating the Stage: Uwe Scholz's Choreographic Completion of Mozart's Große Messe.
In this essay I investigate Die Große Messe (1998), a contemporary ballet by German choreographer Uwe Scholz (1958–2004). Based on W. A. Mozart's unfinished Mass in C minor and enhanced with music by Thomas Jahn, György Kurtág, and Arvo Pärt, this conceptually complex work constitutes a quasi-liturg...
| Publicado en: | Journal of Musicological Research Vol. 44; no. 1; pp. 1 - 22 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186874598&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186874598 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01411896 7WF jtl: Journal of Musicological Research issn: 01411896 maglogo: N pubinfo: dt: 2025 vid: 44 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 186874598 10.1080/01411896.2025.2488348 ppf: 1 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 709KB tig: atl: Consecrating the Stage: Uwe Scholz's Choreographic Completion of Mozart's Große Messe. aug: au: Papanikolaou, Eftychia affil: Department of Musicology, Bowling Green State University, Bowling Green, OH, USA su: Ballet Ritual Musical analysis Composers Mozart, Wolfgang Amadeus, 1756-1791 Choreographers sug: subj: Ballet Ritual Musical analysis Composers Mozart, Wolfgang Amadeus, 1756-1791 Choreographers ab: In this essay I investigate Die Große Messe (1998), a contemporary ballet by German choreographer Uwe Scholz (1958–2004). Based on W. A. Mozart's unfinished Mass in C minor and enhanced with music by Thomas Jahn, György Kurtág, and Arvo Pärt, this conceptually complex work constitutes a quasi-liturgical praxis, whereby choreomusical events demonstrate a humanistic re-imagining of the sacred ritual. Through the lens of choreomusicology, I analyze how the ballet's media work synergistically to construct, communicate, and transfer meaning, while also reflecting back on the function of the Roman Catholic Mass as liturgy. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Musicological Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Musicological Research holder: Taylor & Francis Ltd dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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