| Sumario: | The article focuses on the altar installations of artist Amalia Mesa-Bains, which explore themes of absence and the invocation of missing bodies through various artistic forms. Her works, particularly the "Venus Envy" series, reflect on personal and collective histories, addressing the erasure of women, especially those of Indigenous and African descent, from dominant cultural narratives. Mesa-Bains employs mirrors and reflective objects to invite viewers into a dialogue about identity and ancestry, while also critiquing colonialism and patriarchy. The installations serve as a means of healing and remembrance, emphasizing the interconnectedness of past and present through the lens of Chicana feminism.
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