Plasticity and neoplasticity in Malabou's the future of Hegel: addressing the concept's ambiguity.

The influence of Catherine Malabou's concept of plasticity has grown considerably. However, recent commentaries increasingly trace disagreements in the literature to Malabou's own ambiguous uses of the concept. This paper weaves together these criticisms and places them in the Hegelian context out o...

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Publicado en:Continental Philosophy Review Vol. 58; no. 3; pp. 531 - 550
Autor principal: Quiñonez, Omar
Formato: Artículo
Publicado: Springer Nature Sep2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Plasticity and neoplasticity in Malabou's the future of Hegel: addressing the concept's ambiguity.
      aug:
        au: Quiñonez, Omar
        affil: https://ror.org/05dwp6855 Department of Philosophy, College of the Holy Cross, 1 College St., Worcester, MA, USA
      su:
        Malabou, Catherine
        Hegel, Georg Wilhelm Friedrich, 1770-1831
        Material facts (Law)
        Ambiguity
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          Malabou, Catherine
          Hegel, Georg Wilhelm Friedrich, 1770-1831
          Material facts (Law)
          Ambiguity
      keyword:
        Catherine Malabou
        Change
        G. W. F. Hegel
        Materiality
        Plasticity
        Sublation
      ab: The influence of Catherine Malabou's concept of plasticity has grown considerably. However, recent commentaries increasingly trace disagreements in the literature to Malabou's own ambiguous uses of the concept. This paper weaves together these criticisms and places them in the Hegelian context out of which Malabou developed her views. Plasticity is Malabou's argument for reimagining Hegel's Aufhebung as a non-teleological view of change in which the "suppleness" of material plays an important role. As presented in The Future of Hegel, Malabou lays out her view of plasticity through the very Hegelian process of aufheben she is actively rethinking. Original lessons about change drawn from examples of material transformation are developed into an ontology of "becoming." I argue that the charge of ambiguity in the literature stems from the lack of appreciation of this move from limited examples to novel ontology, something Malabou later acknowledged. I suggest distinguishing between plasticity and what I call "neoplasticity." The former refers to concrete examples of material change, inspired by the plastic arts, in which the role of material suppleness is explicit. The latter refers to cases of transformation in which the role of malleability in the process of change is implicit and requires being considered in light of her ontology of non-teleological change.
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