Affect as Class Passion: Roberto Arlt's Petty Bourgeoisie.

This article links the form of Roberto Arlt's novels Los siete locos and Los lanzallamas to a process of class consolidation, specifically the emergence of the petty bourgeoisie in Argentina. It argues that Arlt was a pioneer in describing the behavior of the middle sectors, and that sociological sc...

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Publicado en:Hispanic Review Vol. 93; no. 2; pp. 149 - 171
Autor principal: Ortiz, Pedro Hurtado
Formato: Literary Criticism
Publicado: University of Pennsylvania Press Spring2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Affect as Class Passion: Roberto Arlt's Petty Bourgeoisie.
      aug:
        au: Ortiz, Pedro Hurtado
        affil: University of California at Berkeley
      su:
        Ideological analysis
        Literary criticism
        Middle class
        Jameson, Fredric, 1934-
        Scholarly method
        Ethics
        Arlt, Roberto, 1900-1942
        Los siete locos (Book)
        Los lanzallamas (Book)
        20th century (Literary period)
        Modernism (Literary period)
        Argentina
      sug:
        subj:
          Argentina
          Ideological analysis
          Literary criticism
          Middle class
          Jameson, Fredric, 1934-
          Scholarly method
          Ethics
          Arlt, Roberto, 1900-1942
          Los siete locos (Book)
          Los lanzallamas (Book)
          20th century (Literary period)
          Modernism (Literary period)
      keyword:
        Affect Theory
        Fredric Jameson
        Middle Class
        Modernism
        Pedro Hurtado Ortiz
        Petty Bourgeoisie
        Realism
        Roberto Arlt
      ab: This article links the form of Roberto Arlt's novels Los siete locos and Los lanzallamas to a process of class consolidation, specifically the emergence of the petty bourgeoisie in Argentina. It argues that Arlt was a pioneer in describing the behavior of the middle sectors, and that sociological scholarship built on Arlt's observations. Arlt's novels depict an inchoate petty bourgeoisie that must differentiate itself from proletarian and lumpen sectors: for the novels' characters, morality offers an avenue to achieve this distinction. Arlt's novels explore this avenue, which entails an activation of the body, and thus expresses itself via two kinds of affect: experiential and literary. I focus on how affect intersects the structure of character motivation and extended descriptions. I argue that attending to affect in Arlt can illuminate longstanding debates about his place in literary history and provides an opportunity to assess how affect theory can enrich ideological analysis.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
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