ГЕНЕРАТИВНЫЕ МЕДИА И ИХ СУБЪЕКТ В ПЕРСПЕКТИВЕ КРИТИЧЕСКОЙ ТЕОРИИ И ПСИХОАНАЛИЗА.
This article explores how generative media and artificial intelligence reshape subjectivity, perception, and communication in the (post) digital age. Drawing on critical theory and psychoanalysis — particularly the works of Mark Andrejevic, Slavoj Žižek, Bernard Stiegler, John Black, and others — th...
| Published in: | Topos (18150047) no. 1; pp. 206 - 226 |
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| Format: | Article |
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European Humanities University
2025
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187332144&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 187332144 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18150047 32FG jtl: Topos (18150047) issn: 18150047 maglogo: N pubinfo: dt: 2025 iid: 1 pid: 33650 pub: European Humanities University artinfo: ui: 187332144 10.61095/815-0047-2025-1-206-225 ppf: 206 ppct: 20 formats: fmt: @attributes: type: P size: 2.6MB tig: atl: ГЕНЕРАТИВНЫЕ МЕДИА И ИХ СУБЪЕКТ В ПЕРСПЕКТИВЕ КРИТИЧЕСКОЙ ТЕОРИИ И ПСИХОАНАЛИЗА. aug: au: Константюк, Виктория affil: Lecturer, European Humanities University, Savičiaus g. 17, Vilnius, Lithuania. su: Digital technology Critical theory Psychoanalysis Artificial intelligence Subjectivity sug: subj: Digital technology Critical theory Psychoanalysis Artificial intelligence Subjectivity keyword: algorithmic unconscious Artificial Intelligence critical theory generative media psychoanalysis subject ab: This article explores how generative media and artificial intelligence reshape subjectivity, perception, and communication in the (post) digital age. Drawing on critical theory and psychoanalysis — particularly the works of Mark Andrejevic, Slavoj Žižek, Bernard Stiegler, John Black, and others — the article analyzes how algorithmically-driven media affect the dynamics of desire, knowledge, and autonomy. Special attention is given to the dialectic between subjectivity and algorithmic regulation, the psychoanalytic concept of the “desire not to know,” and the transformation of creativity under conditions of automated content production. The discussion uncovers the ideological functions of generative media, showing how AI does not merely mediate perception but actively participates in the structuring of the unconscious. Tracing the historical evolution of media as both technological and symbolic systems, the article argues for a critical re-evaluation of the socio-political and epistemological implications of AI-generated content. Ultimately, it challenges the presumed neutrality of generative technologies, foregrounding their role in the reproduction of power, desire, and subject formation. pubtype: Academic Journal doctype: Article src: R language: Russian refInfo: copyright: @attributes: flag: Y custom: Copyright of Topos (18150047) is the property of European Humanities University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Topos (18150047) holder: European Humanities University dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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