"GHOSTS AT THE BANQUET": The Kenyan Mau Mau In Global Memory.

In the decades since Kenyan independence from British rule, scholarship regarding memory of the Mau Mau Uprising has been bound by its nationalisms. "Nationalism" in the plural is apt because of the ways of remembering Mau Mau. It has investigated pressing issues in both Kenya and Great Britain itse...

Full description

Bibliographic Details
Published in:Kritika Kultura no. 46; pp. 223 - 240
Main Author: Alvarado, Christian
Format: Article
Published: Kritika Kultura Mar2025
Subjects:
Online Access:View this record in EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187371740&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 187371740
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        20946937
        786B
      jtl: Kritika Kultura
      issn: 20946937
      maglogo: N
    pubinfo:
      dt: Mar2025
      iid: 46
      pid: 51553
      pub: Kritika Kultura
    artinfo:
      ui: 187371740
      ppf: 223
      ppct: 17
      formats:
        fmt:
          @attributes:
            type: P
            size: 2.2MB
      tig:
        atl: "GHOSTS AT THE BANQUET": The Kenyan Mau Mau In Global Memory.
      aug:
        au: Alvarado, Christian
        affil: University of California, Davis
      su:
        Mau Mau (Rebel group)
        Decolonization
        Postcolonialism
      sug:
        subj:
          Mau Mau (Rebel group)
          Decolonization
          Postcolonialism
      keyword:
        decolonization
        global memory
        Kenya
        Mau Mau
        postcoloniality
        transnational
      ab: In the decades since Kenyan independence from British rule, scholarship regarding memory of the Mau Mau Uprising has been bound by its nationalisms. "Nationalism" in the plural is apt because of the ways of remembering Mau Mau. It has investigated pressing issues in both Kenya and Great Britain itself. This article engages both foundational and recent scholarship in this vein in order to identify the set of assumptions that has shaped these debates and point toward new ways of thinking beyond them. In pursuance of new avenues in the study of global memories of Mau Mau, it also attempts a more capacious (though limited) inquiry by showing how the common thread of "Land and Freedom" has been understood transnationally across traditions of remembering the movement.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Kritika Kultura is the property of Kritika Kultura and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Kritika Kultura
      holder: Kritika Kultura
      dt:
        @attributes:
          year: 2025
    holdings:
      @attributes:
        islocal: N