LITERARY STUDY IN THE ERA OF ARTIFICIAL INTELLIGENCE IN CHINA.
In view of the salient characteristics of technological innovation and human-machine symbiosis in the era of artificial intelligence, Chinese literary circles have purveyed a productive exploration of "literary study in the era of artificial intelligence." Chinese scholars' innovation of literary th...
| Published in: | Kritika Kultura no. 47; pp. 4 - 35 |
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| Main Authors: | , |
| Format: | Article |
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Kritika Kultura
Jul2025
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187377136&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 187377136 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20946937 786B jtl: Kritika Kultura issn: 20946937 maglogo: N pubinfo: dt: Jul2025 iid: 47 pid: 51553 pub: Kritika Kultura artinfo: ui: 187377136 ppf: 4 ppct: 31 formats: fmt: @attributes: type: P size: 3.8MB tig: atl: LITERARY STUDY IN THE ERA OF ARTIFICIAL INTELLIGENCE IN CHINA. aug: au: Fen Gao Pengfei Zhang affil: Zhejiang University, P. R. China su: Artificial intelligence Technological innovations Digital humanities Posthumanism Literary theory sug: subj: Artificial intelligence Technological innovations Digital humanities Posthumanism Literary theory keyword: "brain text" theory AI literature Chinese literary study ethical literary criticism posthuman theory ab: In view of the salient characteristics of technological innovation and human-machine symbiosis in the era of artificial intelligence, Chinese literary circles have purveyed a productive exploration of "literary study in the era of artificial intelligence." Chinese scholars' innovation of literary theory consists of three characteristics. First, they have established the original theory of "brain text," systematically analyzed the definition, formation mechanism, and relationship between "brain text" and literature, language, text, and cognition, and applied this theory to literary criticism. Second, on the basis of sorting out and summarizing the core viewpoints of Western digital humanities theory, Chinese scholars have carried out indigenized innovations, promoted the research of machine reading in digital humanities, and proposed the paradigm of online literary criticism. Third, Chinese scholars have accepted and promoted the posthuman theory of Western academic circles, thereupon formulating independent critical discourses by means of classification, distinction, and selection. Chinese scholars' innovation of literary criticism is reflected in the following aspects. They continue to promote ethical literary criticism, paying closer attention to environmental ethics, biotechnology ethics, and robot ethics. At the same time, they have expanded the issues of literary criticism from the dimensions of body and emotion, focusing on such novel topics as virtual body, new subject, artificial emotion, and non-human narrative. They have also explored the generative mechanism, nature, limitations, and potentials of AI literature. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Kritika Kultura is the property of Kritika Kultura and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Kritika Kultura holder: Kritika Kultura dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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