Obsession in Distance: Interactive Participation with Hollywood Movie Periodicals in Republican China in the 1930s and 1940s.
Hollywood film reception has been a crucial method for understanding the formation of film culture and vernacular modernity in Republican China. However, a closer examination of the print media engaging Hollywood fandom deserves deeper consideration. This article tracks the development of major Holl...
| Publicado en: | Historical Journal of Film, Radio & Television Vol. 45; no. 3; pp. 487 - 515 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187408763&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 187408763 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01439685 HFT jtl: Historical Journal of Film, Radio & Television issn: 01439685 maglogo: N pubinfo: dt: Sep2025 vid: 45 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 187408763 10.1080/01439685.2025.2489811 ppf: 487 ppct: 28 formats: fmt: – @attributes: type: T – @attributes: type: P size: 3MB tig: atl: Obsession in Distance: Interactive Participation with Hollywood Movie Periodicals in Republican China in the 1930s and 1940s. aug: au: Wang, Yuhui su: Romance films Digital media Chinese history Cultural industries Fans (Persons) Chinese films sug: subj: Romance films Digital media Chinese history Cultural industries Fans (Persons) Chinese films ab: Hollywood film reception has been a crucial method for understanding the formation of film culture and vernacular modernity in Republican China. However, a closer examination of the print media engaging Hollywood fandom deserves deeper consideration. This article tracks the development of major Hollywood movie magazines in China during the 1930s and 1940s, scrutinizing the interactive participation of Chinese movie fans and revealing the anxious ambivalence within audiences' love for Hollywood films. On the one hand, interactive fandom constructs an imaginary emotional intimacy; while on the other, that very sense of intimacy reflects the cultural and political barriers between common Chinese audiences and their fantasized Hollywood dreams. Given the limited discussion of early movie magazines and fan culture compared to contemporary fandom in digital media, it is imperative to investigate the global Hollywood reception history of materials often overlooked in Chinese movie periodicals. The Hollywood interactive fandom in China reflects the visual cultural tradition and power structure in the cultural industry, contributing to the interdisciplinary fields of Hollywood stardom, fandom, and early movie magazines in Chinese film history. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Historical Journal of Film, Radio & Television is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Historical Journal of Film, Radio & Television holder: Taylor & Francis Ltd dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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