Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s): BREGT LAMERIS, 2025, Cambridge, UK, Open Book Publishers, pp. 296, illus., bibliography, filmography, index, £46.95 (cloth), £34.95 (paper).
The main focus of "Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)" is the exploration of how color in film during the mid-twentieth century is intertwined with cultural perceptions of emotion and visual experience. The author, Bregt Lameris, critiques the ahistorical approach oft...
| Publicado en: | Historical Journal of Film, Radio & Television Vol. 45; no. 3; pp. 770 - 773 |
|---|---|
| Autor principal: | |
| Formato: | Book Review |
| Publicado: |
Taylor & Francis Ltd
Sep2025
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187408767&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 187408767 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01439685 HFT jtl: Historical Journal of Film, Radio & Television issn: 01439685 maglogo: N pubinfo: dt: Sep2025 vid: 45 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 187408767 10.1080/01439685.2025.2514911 ppf: 770 ppct: 3 formats: fmt: – @attributes: type: T – @attributes: type: P size: 79KB tig: atl: Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s): BREGT LAMERIS, 2025, Cambridge, UK, Open Book Publishers, pp. 296, illus., bibliography, filmography, index, £46.95 (cloth), £34.95 (paper). aug: au: Fossås, Ole Johnny affil: Stockholm University, Sweden su: Colorimetric analysis Chronobiology Optical illusions Coloring matter in food Visual perception sug: subj: Colorimetric analysis Chronobiology Optical illusions Coloring matter in food Visual perception ab: The main focus of "Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)" is the exploration of how color in film during the mid-twentieth century is intertwined with cultural perceptions of emotion and visual experience. The author, Bregt Lameris, critiques the ahistorical approach often taken in studies of affect in cinema, proposing a framework that includes biological, cultural, and individual temporal dimensions in understanding color perception. The book is structured into three analytical parts, examining color contrasts, the influence of color consultancy on filmmaking, and the sensory experiences of taste and touch in relation to color. Lameris encourages interdisciplinary exploration of film color, while also noting the potential for further analysis of sound's role in color perception on screen. pubtype: Review doctype: Book Review src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Historical Journal of Film, Radio & Television is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Historical Journal of Film, Radio & Television holder: Taylor & Francis Ltd dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
|---|