Reinventing the Local: Neologism in William Barnes.

At the heart of William Barnes's best-known poetry is a set of contrasts: rural life as marked by both nostalgic inertia and fluid vitality, linguistic strangeness as both forbiddingly disorienting and tantalizingly half-familiar, speakers as both generic and idiosyncratic. Critics have tended to ap...

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Publicado en:19: Interdisciplinary Studies in the Long Nineteenth Century no. 37; pp. 1 - 21
Autor principal: Alfano, Veronica
Formato: Artículo
Publicado: Open Library of Humanities 2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Reinventing the Local: Neologism in William Barnes.
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        au: Alfano, Veronica
      su:
        New words
        Country life
        Regionalism
        Dialects
        Poetry (Literary form)
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        subj:
          New words
          Country life
          Regionalism
          Dialects
          Poetry (Literary form)
      ab: At the heart of William Barnes's best-known poetry is a set of contrasts: rural life as marked by both nostalgic inertia and fluid vitality, linguistic strangeness as both forbiddingly disorienting and tantalizingly half-familiar, speakers as both generic and idiosyncratic. Critics have tended to approach these defining issues by focusing on the poet's use of Dorset dialect. However, I argue that they are best understood by carefully assessing not only Barnes's regionalisms but also his overlooked neologisms. After explaining the ideological basis of this poet's tendency to coin words, I demonstrate how his invented terms can elucidate the interlinked debates above — and, in the process, can shed new light on Barnes's conception of his authorial identity.
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