The Boulevard of Sunset: Adorno's Lyric Subject.

This article considers Adorno's theory of lyric subjectivity through the prism of his own poetic experiments, particularly a sonnet he composed in Los Angeles in 1943. A closer examination of this poem offers insight into Adorno's idiosyncratic formulation of the subject-object dialectic, the poetic...

Descripción completa

Detalles Bibliográficos
Publicado en:New German Critique Vol. 52; no. 2; pp. 185 - 208
Autor principal: Kovalenko, George
Formato: Literary Criticism
Publicado: Duke University Press Aug2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187432004&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 187432004
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        0094033X
        NGC
      jtl: New German Critique
      issn: 0094033X
      maglogo: N
    pubinfo:
      dt: Aug2025
      vid: 52
      iid: 2
      pid: 154
      pub: Duke University Press
    artinfo:
      ui:
        187432004
        10.1215/0094033X-11793114
      ppf: 185
      ppct: 23
      formats:
      tig:
        atl: The Boulevard of Sunset: Adorno's Lyric Subject.
      aug:
        au: Kovalenko, George
      su:
        Sonnet
        Dialectic
        Power (Social sciences)
        Poets
        Suffering
        Artistic creation
        Literary criticism
        Adorno, Theodor W., 1903-1969
        Los Angeles (Calif.)
      sug:
        subj:
          Los Angeles (Calif.)
          Sonnet
          Dialectic
          Power (Social sciences)
          Poets
          Suffering
          Artistic creation
          Literary criticism
          Adorno, Theodor W., 1903-1969
      keyword:
        critical theory
        Frankfurt School
        Los Angeles
        poetics
        poetry
      ab: This article considers Adorno's theory of lyric subjectivity through the prism of his own poetic experiments, particularly a sonnet he composed in Los Angeles in 1943. A closer examination of this poem offers insight into Adorno's idiosyncratic formulation of the subject-object dialectic, the poetics of the suffering body, and the political potential for collectivity in the lyric voice.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2025
    holdings:
      @attributes:
        islocal: N