المقدس الديني نسقا مهيمنا في شعر كاظم السماوي.
Kazem Al-Samawi successfully employed the sacred religious elements as a dominant framework In his poetry, drawing inspiration from revered religious figures such as Abu Dhar Al-Ghafari, transforming them into symbols of rebellion, resistance, and defiance. Through this employment, Al-Samawi did not...
| Publicado en: | Journal of Babylon Center for Humanities Studies Vol. 15; no. 4; pp. 2909 - 2927 |
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| Formato: | Artículo |
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Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR)
Jul2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=187578163&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 187578163 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 22272895 GYOO jtl: Journal of Babylon Center for Humanities Studies issn: 22272895 maglogo: N pubinfo: dt: Jul2025 vid: 15 iid: 4 pid: 25427 pub: Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) artinfo: ui: 187578163 ppf: 2909 ppct: 18 formats: tig: atl: المقدس الديني نسقا مهيمنا في شعر كاظم السماوي. aug: au: عزيز حسين علي affil: جامعة المثنى / كلية التربية للعلوم الإنسانية. su: Religious symbols Perseverance (Ethics) Poetry (Literary form) Sacredness Oppression sug: subj: Religious symbols Perseverance (Ethics) Poetry (Literary form) Sacredness Oppression keyword: Abu Dharr Al-Ghafari contemporary Arabic poetry dominant system Kazem Al-Samawi poetic employment religious sacredness religious symbols أبي ذر الغفاري الشع التوظيف الشعري الرموز الدينية المقدس الديني النسق المهيمن ر العربي المعاصر كاظم السماوي ab: Kazem Al-Samawi successfully employed the sacred religious elements as a dominant framework In his poetry, drawing inspiration from revered religious figures such as Abu Dhar Al-Ghafari, transforming them into symbols of rebellion, resistance, and defiance. Through this employment, Al-Samawi did not merely invoke these figures as religious icons but recontextualized them within modern social and political settings, making them artistic tools that express the concerns of contemporary Arab individuals. The sacred religious element in Al-Samawi’s poetry was not merely decorative but played an active role in shaping the intellectual and aesthetic structure of his texts. Through it, he was able to articulate his existential, social, and political crises, infusing his poetry with a profound humanistic dimension that transcends the conventional. This approach establishes a modern poetic vision that draws from heritage without being confined by it. The character of Abu Dharr al-Ghifari in his poetry became a symbol of steadfastness and resistance against injustice and tyranny. The invocation of religious figures contributed to enhancing the symbolic dimension of the texts, giving them profound intellectual and aesthetic dimensions. Al-Samawi revealed patterns of oppression and injustice through the use of religious sanctity, as patterns of resistance intersected with patterns of hegemony in his texts. The invocation of religious symbols was not merely a repetition of heritage, but rather came within the context of a new reading that re-projected the past onto the present. pubtype: Academic Journal doctype: Article src: R language: Arabic refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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