The Worlds around Taiwo Shango.
The article focuses on the television film *Taiwo Shango oder: Der zweite Tag nach dem Tod* (*Taiwo Shango or: The Second Day after the Death*), directed by Klaus Stephan, and its cultural significance within Nigerian and German contexts. It highlights the collaborative research efforts between Nige...
| Publicado en: | Journal of African Cultural Studies Vol. 37; no. 3; pp. 259 - 275 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=187638108&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 187638108 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 13696815 36D jtl: Journal of African Cultural Studies issn: 13696815 maglogo: N pubinfo: dt: Sep2025 vid: 37 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 187638108 10.1080/13696815.2025.2495000 ppf: 259 ppct: 16 formats: fmt: – @attributes: type: T db: hlh ui: 187638108 – @attributes: type: P db: hlh ui: 187638108 tig: atl: The Worlds around Taiwo Shango. aug: au: Matzke, Christine affil: Department of English Literature, University of Bayreuth, Bayreuth, Germany su: Nigeria Cultural identity Cultural relations Cultural maintenance Culture Preservation of cultural property Filmmakers sug: subj: Cultural identity Cultural relations Cultural maintenance Culture Nigeria Independent Artists, Writers, and Performers Independent actors, comedians and performers Historical Sites Preservation of cultural property Filmmakers ab: The article focuses on the television film *Taiwo Shango oder: Der zweite Tag nach dem Tod* (*Taiwo Shango or: The Second Day after the Death*), directed by Klaus Stephan, and its cultural significance within Nigerian and German contexts. It highlights the collaborative research efforts between Nigerian and German universities to reappraise the film, which was produced in the 1960s and features a narrative intertwined with historical events in Nigeria. The article also discusses the extensive photographic work of Nina Fischer-Stephan, who documented life in Nigeria during the same period, and emphasizes the ongoing challenges related to access and preservation of cultural materials from this era. Additionally, it addresses the film's themes, including family obligations, cultural identity, and the complexities of cross-cultural collaboration in media production. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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