Directing Elfriede Jelinek's Theater Texts: Co-authorial Complicity and Ethical Entanglements in Jossi Wieler's Rechnitz (Der Würgeengel) and Nicolas Stemann's Die Schutzbefohlenen.

The article discusses the creative tension between the theater texts used by writer Elfriede Jelinek and the directors, actors and other collaborators working on her works by analyzing the production of the plays "Rechnitz (Der Würgeengel)," directed by Jossi Wieler, and "Die Schutzbefohlenen," dire...

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Publicado en:Journal of Austrian Studies Vol. 58; no. 2/3; pp. 1 - 34
Autor principal: Koerner, Morgan
Formato: Artículo
Publicado: Modern Austrian Literature Summer/Fall2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Directing Elfriede Jelinek's Theater Texts: Co-authorial Complicity and Ethical Entanglements in Jossi Wieler's Rechnitz (Der Würgeengel) and Nicolas Stemann's Die Schutzbefohlenen.
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        Theater production & direction
        Authorship collaboration
        Die Schutzbefohlenen (Theatrical production)
        Jelinek, Elfriede, 1946-
        Rechnitz (Der Würgeengel) (Theatrical production)
        Xenophobia
        Mass murder
      sug:
        subj:
          Theater production & direction
          Authorship collaboration
          Die Schutzbefohlenen (Theatrical production)
          Jelinek, Elfriede, 1946-
          Rechnitz (Der Würgeengel) (Theatrical production)
          Xenophobia
          Mass murder
      ab: The article discusses the creative tension between the theater texts used by writer Elfriede Jelinek and the directors, actors and other collaborators working on her works by analyzing the production of the plays "Rechnitz (Der Würgeengel)," directed by Jossi Wieler, and "Die Schutzbefohlenen," directed by Nicolas Stemann. Topics of the works include the murder of Jewish-Hungarian forced laborers in Austria after World War II, refugees, and xenophobia.
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