| Sumario: | The article examines the 1981 film *Anyab* (Fangs), directed by Mohammed Shebl, as a significant yet overlooked entry in the history of Middle Eastern horror and queer cinema. It discusses how the film, an Egyptianized remake of *The Rocky Horror Picture Show*, navigates themes of queerness and class consciousness within the context of Egypt's neoliberal shift in the late 20th century. Despite facing severe censorship and critical derision upon its release, *Anyab* has gained renewed interest as a cult classic, particularly among queer audiences, for its unique aesthetic and political commentary. The analysis highlights the film's complex interplay of horror, humor, and social critique, suggesting that its queer potential lies not solely in explicit representation but in its formal experimentation and engagement with cultural anxieties surrounding capitalism and identity in Egypt.
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