Blanchot Collabo: From the Jeune Droite to Jeune France.
Maurice Blanchot (1907–2003) was best known for his pathbreaking forays in literary criticism: dense meditations on the abyss of literary meaning, culminating in his radical insight concerning the ontological impossibility of writing or écriture. Accordingly, Blanchot was justly canonized by luminar...
| Publicado en: | French Politics, Culture & Society Vol. 43; no. 1; pp. 93 - 125 |
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| Formato: | Artículo |
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Berghahn Books
Spring2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=187784956&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 187784956 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 15376370 LT0 jtl: French Politics, Culture & Society issn: 15376370 maglogo: N pubinfo: dt: Spring2025 vid: 43 iid: 1 pid: 1130 pub: Berghahn Books artinfo: ui: 187784956 10.3167/fpcs.2025.430105 ppf: 93 ppct: 32 formats: fmt: – @attributes: type: T – @attributes: type: P size: 225KB tig: atl: Blanchot Collabo: From the Jeune Droite to Jeune France. aug: au: Wolin, Richard affil: Professor, CUNY Graduate Center, USA su: Blanchot, Maurice, 1907-2003 Barthes, Roland, 1915-1980 Foucault, Michel, 1926-1984 Derrida, Jacques, 1930-2004 Literary criticism sug: subj: Literary criticism Blanchot, Maurice, 1907-2003 Barthes, Roland, 1915-1980 Foucault, Michel, 1926-1984 Derrida, Jacques, 1930-2004 keyword: Action Française fascisme à la française French Theory Jeune France Vichy Syndrome Action Française fascisme à la française French Theory Jeune France Vichy Syndrome ab: Maurice Blanchot (1907–2003) was best known for his pathbreaking forays in literary criticism: dense meditations on the abyss of literary meaning, culminating in his radical insight concerning the ontological impossibility of writing or écriture. Accordingly, Blanchot was justly canonized by luminaries of French Theory such as Roland Barthes, Michel Foucault, and Jacques Derrida as an indispensable precursor of their influential prognostications concerning la mort de l'auteur and le degré zéro l'écriture. At the same time, circa 1980, rumors began to circulate concerning what Michel Surya has denominated l'autre Blanchot: the right-wing political journalist of the 1930s, who enthusiastically embraced the neo-Maurrassian adage, Plutôt Hitler que Blum. Could it be that one of the reasons that, later in life, Blanchot was attracted to such hermetic theories of textuality and signification—écriture blanche—was to escape the trammels of his ignominious political past? pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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