The aesthetic nature of Chinese-inscribed poetry and painting texts—evidence from eye movements.
Previous studies on traditional Chinese inscribed poems and paintings have primarily been subjective qualitative analyses conducted by researchers. In this study, eye-tracking techniques and equipment were utilized to objectively analyze hotspot maps, Area of Interest (AOI) first gaze duration, AOI...
| Publicado en: | Digital Scholarship in the Humanities Vol. 40; no. 3; pp. 779 - 802 |
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| Autores principales: | , , , , , , |
| Formato: | Artículo |
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Oxford University Press / USA
Sep2025
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=188027907&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 188027907 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 2055768X JEO9 jtl: Digital Scholarship in the Humanities issn: 2055768X maglogo: N pubinfo: dt: Sep2025 vid: 40 iid: 3 pid: 622 pub: Oxford University Press / USA artinfo: ui: 188027907 10.1093/llc/fqaf058 ppf: 779 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 3.5MB tig: atl: The aesthetic nature of Chinese-inscribed poetry and painting texts—evidence from eye movements. aug: au: Huang, Yi Rong, Weiran Li, Xiang Wu, Wenyu Liu, Yi Sun, Shiyu Gan, Feng affil: College of Fine Arts, Southeast University, Nanjing 211100, China College of Mechanical Engineering, Southeast University, Nanjing 211100, China College of Fine Arts, Shanghai University, Shanghai 200444, China su: Chinese poetry Painting Art appreciation Empirical research Perceptual learning Sensory perception Eye tracking Art education sug: subj: Chinese poetry Painting Art appreciation Empirical research Perceptual learning Sensory perception Eye tracking Art education keyword: esthetic appreciation eye tracking inscribed painting texts poetry and painting visual perception ab: Previous studies on traditional Chinese inscribed poems and paintings have primarily been subjective qualitative analyses conducted by researchers. In this study, eye-tracking techniques and equipment were utilized to objectively analyze hotspot maps, Area of Interest (AOI) first gaze duration, AOI gaze duration, and sight-switching frequency of viewers when observing inscribed poems and paintings. This research presents these analyses impartially in the form of quantitative data. It reports the eye-tracking data and aesthetic tendencies of three groups with varying art education backgrounds when viewing inscribed poetic paintings. The experiments demonstrated statistically significant differences in aesthetic appreciation, revealing that the inscribed poems and paintings significantly influence the aesthetics of individuals with different art education backgrounds. In the group with the original inscribed poems and paintings, significant differences were observed in the eye-tracking data across the three groups with varying art education backgrounds. Participants with professional art backgrounds focused more on the interaction between the poetry text and the painting. In contrast, in the text + audio narration group, the eye-tracking data of all three groups overlapped significantly, suggesting that understanding the meaning of the poetic text enhanced aesthetic appreciation, particularly for those without professional art backgrounds. Our findings provide insights into the aesthetic appreciation of traditional Chinese paintings, audience perceptions and understandings of artworks, and art museum display practices. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: © 2019 EADH: The European Association for Digital Humanities. item: Digital Scholarship in the Humanities holder: Oxford University Press / USA dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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