Un archipiélago cinemático: Chiloé en el imaginario fílmico chileno, 2000–2023.
Across the twenty-first century, Chilean cinema has produced dozens of films inspired by the literature, mythology, territory, and history of Chiloé's archipelagos in the seas of southern Chile. Based on a survey of thirty-nine fiction films (short, medium, and feature) produced between 2000 and 202...
| Publicado en: | Studies in Latin American Popular Culture Vol. 43; pp. 64 - 91 |
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| Autores principales: | , |
| Formato: | Artículo |
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University of Texas Press
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=188233571&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 188233571 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07309139 LPC jtl: Studies in Latin American Popular Culture issn: 07309139 maglogo: N pubinfo: dt: 2025 vid: 43 pid: 519 pub: University of Texas Press artinfo: ui: 188233571 ppf: 64 ppct: 27 formats: fmt: – @attributes: type: T – @attributes: type: P size: 336KB tig: atl: Un archipiélago cinemático: Chiloé en el imaginario fílmico chileno, 2000–2023. aug: au: Álvarez, Asunción Díaz Ojeda, Jorge Pavez su: Motion pictures Filmographies (Motion pictures) Archipelagoes Imagination Realism Downey, Juan sug: subj: Motion pictures Filmographies (Motion pictures) Archipelagoes Imagination Realism Downey, Juan ab: Across the twenty-first century, Chilean cinema has produced dozens of films inspired by the literature, mythology, territory, and history of Chiloé's archipelagos in the seas of southern Chile. Based on a survey of thirty-nine fiction films (short, medium, and feature) produced between 2000 and 2023, we propose a critical analysis of this filmography, looking specifically at the cinematic territories (the modes of appearance of the archipelagic territory and its subjects in the landscape form of the national cinematic imaginary) and the cinema poetics (the affection-image and the time-image of the islands' narratives) of these movies. This characterization allows us to identify three expressions of what we call an "archipelagic cinema": (1) ethno-fiction or archipelagic realism, heir of the shamanic cinema of the Chilean/Chilote director Raúl Ruiz and the video art of Juan Downey, (2) mythological fiction-documentary (or mytho-documentary), which adopts and adapts the oral and written literature of the island imagination (myths, legends, icons), and (3) ficto-critic cinema, which addresses the archipelago as a place of crystallized visualization of various forms of violence (sexual, racial, colonial). pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Studies in Latin American Popular Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studies in Latin American Popular Culture holder: University of Texas Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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