POV: Inside the Nazis' Gas Chamber.
The article examines the historical and ethical implications of gas chambers, particularly in the context of the Holocaust, and how they have been represented in art and media. Initially developed for pest control, gas chambers evolved into tools of mass execution during the Nazi regime, targeting n...
| Publicado en: | History & Memory Vol. 37; no. 2; pp. 3 - 39 |
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| Formato: | Artículo |
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Indiana University Press
Fall/Winter2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=188269631&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 188269631 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0935560X 8A7 jtl: History & Memory issn: 0935560X maglogo: N pubinfo: dt: Fall/Winter2025 vid: 37 iid: 2 pid: 211 pub: Indiana University Press artinfo: ui: 188269631 10.2979/ham.00021 ppf: 3 ppct: 36 formats: fmt: – @attributes: type: T – @attributes: type: P size: 620KB tig: atl: POV: Inside the Nazis' Gas Chamber. aug: au: Stiassny, Noga su: Holocaust, 1939-1945 World War I Nazi Germany, 1933-1945 Concentration camps Holocaust denial Collective memory Bereavement Holocaust memorials Tattooing sug: subj: Holocaust, 1939-1945 World War I Nazi Germany, 1933-1945 Concentration camps Holocaust denial Collective memory Bereavement Holocaust memorials Tattooing keyword: art ethics gas chamber Holocaust memory point of view (POV) ab: The article examines the historical and ethical implications of gas chambers, particularly in the context of the Holocaust, and how they have been represented in art and media. Initially developed for pest control, gas chambers evolved into tools of mass execution during the Nazi regime, targeting not only Jews but also other marginalized groups. The piece discusses the challenges artists face in representing the "unrepresentable" nature of these atrocities, highlighting various artistic approaches, including inner-chamber perspectives that evoke the experiences of victims and survivors. It also explores how contemporary artists engage with the legacy of gas chambers, using both historical imagery and performative practices to provoke reflection on memory, trauma, and the ongoing impact of these events. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of History & Memory is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: History & Memory holder: Indiana University Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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