"[T]his trivial and vulgar occasion": P.R. Stephensen's Lampoons of Radclyffe Hall's The Well of Loneliness.

Within two years after the publication of Radclyffe Hall's The Well of Loneliness (1928), P.R. Stephensen wrote three lampoons, published in England, that took as their subject matter Hall's novel: The Sink of Solitude (1928), The Well of Sleevelessness: A Tale for the Least of These Little Ones (19...

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Publicado en:Journal of Modern Literature Vol. 48; no. 4; pp. 20 - 39
Autor principal: Behling, Laura L.
Formato: Literary Criticism
Publicado: Indiana University Press Summer2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "[T]his trivial and vulgar occasion": P.R. Stephensen's Lampoons of Radclyffe Hall's The Well of Loneliness.
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        au: Behling, Laura L.
        affil: University of Puget Sound
      su:
        Well of Loneliness, The (Book : Hall)
        Heteronormativity
        Censorship
        Publishing
        Stephensen, P. R.
        20th century (Literary period)
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        subj:
          Well of Loneliness, The (Book : Hall)
          Heteronormativity
          Censorship
          Publishing
          Stephensen, P. R.
          20th century (Literary period)
      keyword:
        censorship
        lampoons
        lesbianism
        P.R. Stephensen
        The Well of Loneliness
      ab: Within two years after the publication of Radclyffe Hall's The Well of Loneliness (1928), P.R. Stephensen wrote three lampoons, published in England, that took as their subject matter Hall's novel: The Sink of Solitude (1928), The Well of Sleevelessness: A Tale for the Least of These Little Ones (1929), and Policeman of the Lord: A Political Satire (1933). Each lampoon exposes a different dimension of the obscenity controversy surrounding The Well of Loneliness. In addition, through the explicit references to Areopagitica in the first lampoon, these texts extend a literary lineage from John Milton to Hall, summoning an alternative to metaphorical heteronormative conceptions of progeny, and even lending divine sanction to this lineage. Despite their frivolity, these lampoons are serious defenses of publishing rights and the rights of a reading public to choose its own written entertainment. They also illustrate the dangerous artistic sterility that government censorship represents.
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