Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History: A Review Essay of Jesse Wolfe's Love, Friendship, and Narrative Form After Bloomsbury : Review of The Promise of Welfare in the Postwar British and Anglophone Novel: A Dialogue with Zhaoming Qian

Love, Friendship, and Narrative Form After Bloomsbury shows how a set of late twentieth- and twenty-first-century writers have variously engaged Bloomsburian legacies to explore the possibilities for thinking about intimacy today. Blending postcritique's affirmative turn, contextualist close reading...

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Publicado en:Journal of Modern Literature Vol. 48; no. 4; pp. 178 - 190
Autores principales: Dudley, Jack, Fernández, Laura de la Parra, Zeng, Hong, Zhang, Ping
Formato: Book Review
Publicado: Indiana University Press Summer2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History: A Review Essay of Jesse Wolfe's Love, Friendship, and Narrative Form After Bloomsbury : Review of The Promise of Welfare in the Postwar British and Anglophone Novel: A Dialogue with Zhaoming Qian
      aug:
        au:
          Dudley, Jack
          Fernández, Laura de la Parra
          Zeng, Hong
          Zhang, Ping
        affil:
          Mount St. Mary's University, Maryland
          Universidad Complutense de Madrid
          Southwest Jiaotong University
      su:
        Love, Friendship & Narrative Form After Bloomsbury: The Progress of Intimacy in History (Book)
        Wolfe, Jesse
        Friendship
        Intimacy (Psychology)
        Nonfiction
      sug:
        subj:
          Love, Friendship & Narrative Form After Bloomsbury: The Progress of Intimacy in History (Book)
          Wolfe, Jesse
          Friendship
          Intimacy (Psychology)
          Nonfiction
      keyword:
        Bloomsbury
        British and American poetry
        contemporary British literature
        deconstructive reading
        form
        intimacy
        modernism
        postwar modernism
        sexuality
        Taoism
        welfare novels
        Western modernism
        Zen Buddhism
      ab: Love, Friendship, and Narrative Form After Bloomsbury shows how a set of late twentieth- and twenty-first-century writers have variously engaged Bloomsburian legacies to explore the possibilities for thinking about intimacy today. Blending postcritique's affirmative turn, contextualist close reading, and metamodernism's study of contemporary engagements with modernist pasts, Wolfe finds that even as the ultimate progress of intimacy is a mixture of slight gains amid troublingly enduring impasses, the imaginative resources of the Bloomsbury Group and those of its inheritors continue to offer the potential for rethinking intimacy in more open and optimistic ways. In doing so, Wolfe exemplifies the power of methodologically pluralistic studies of literature that are ultimately oriented toward socially liberating values. The Promise of Welfare in the Postwar British and Anglophone Novel: States of Repair reads the post-1945 British novel as attempts to reimagine and reassess the failed promise of the welfare state, understanding 1945 as a pivotal year that fostered the possibility of social transformation, though faltered. By examining how postwar infrastructures such as housing, healthcare, work, and the justice system configured, negotiated, and sometimes collided with individual subjectivities, Rich redefines what we have termed "contemporary literature" in Britain by consistently linking the development of national identity back to the ideation welfare state, famously epitomized by the 1942 Beveridge report. Rich argues that these novels continue to debate what constitutes care, community in the advent of reconstruction, even in retrospect. Through an academic dialogue with Breaking down Boundaries and "Making it New": Oriental Elements in Western Modernism (2023) by Qian Zhaoming, founder of the comparative study of Taoist and Zen Influenced Chinese literature and arts and Western modernism, we expand and complement Qian's views on Western modernism and the influence of Taoism and Zen on it, and engage in some friendly academic dialogue and debate with them. By deconstructing some of Qian's traditional, holistic ideas about Taoism and Zen and their influence on Western modernism, we reveal inherent conflicts in Taoist philosophy and reconsider its impact on Western modernism.
      pubtype: Review
      doctype: Book Review
      src: R
    language: English
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