A queery of everything: queer-conscious casting and multiverse dramaturgy.

This article investigates the theatrical casting of straight roles as queer to elucidate new meanings (what I am calling queer-conscious casting) and how this choice can be read in relation to historic casting practices as well as queer theories of time and space. The case study is Nick Payne's Cons...

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Publicado en:Studies in Theatre & Performance Vol. 45; no. 2; pp. 214 - 232
Autor principal: Shüler, Will
Formato: Artículo
Publicado: Taylor & Francis Ltd Jun2025
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Shüler, Will
        affil: Department of Drama, Theatre and Dance, Royal Holloway, University of London, London, UK
      su:
        Multiverse theory
        Dramatic structure
        Performing arts
        Cultural industries
        Gender identity
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          Multiverse theory
          Dramatic structure
          Performing arts
          Cultural industries
          Gender identity
      keyword:
        Casting
        Constellations
        dramaturgy
        multiverse
        queer theory
        string theory
      ab: This article investigates the theatrical casting of straight roles as queer to elucidate new meanings (what I am calling queer-conscious casting) and how this choice can be read in relation to historic casting practices as well as queer theories of time and space. The case study is Nick Payne's Constellations, directed by Michael Longhurst (London, 2021). The play investigates string theory by presenting how a particular moment may/does have many outcomes by showing the different outcomes of a straight couple's evolving relationship. In unifying quantum mechanics, general relativity, and particle physics, string theory is a theory of everything and points towards the potential of a multiverse, where everything anyone has ever and never done exists in infinite spacetime. Longhurst's production extends the investigation of multiple universes by casting four distinct couples to perform over the production's run including a gay, interracial couple (performed by Omari Douglas and Russell Tovey). In this article, I examine the tensions created when Douglas and Tovey perform many universes of heteronormative love as queer by extrapolating upon criticisms of colour-conscious casting and interrogating theories of queer temporality in relation to the multiverse. The queer multiverse might hold a spacetime for many seemingly contradictory ideas to find unity: a queery of everything.
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      src: R
    language: English
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